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DRINKING AND TWEETING

AND OTHER BRANDI BLUNDERS

Frothy, straightforward and surprisingly addictive.

The reality TV star's account of her ex-husband's philandering, the effects of their divorce and custody battle on their two young sons, and her rocky path to dating and newfound fame and confidence.

Noted for her hilarious zingers and cat fights on The Real Housewives of Beverly Hills, the show's crassest, most unfiltered star hasn't qualified as an actual housewife since her 2010 divorce. At the end of a 13-year relationship with TV actor Eddie Cibrian, who's appeared on shows including CSI: Miami, Glanville discovered her husband was cheating on her with multiple women. He wed one, country singer LeAnn Rimes, in 2011, and Glanville has struggled to come to terms with their romance and to co-parent with a man who's refused to give her his phone number. Due to Rimes' fame, as well as the fact that she, too, was married at the time of the affair, messy details surrounding Glanville and Cibrian's split provided endless tabloid fodder, as did Glanville's unrestrained comments to reporters and angry behavior that led to, among other actions, her slashing the tires of Cibrian's motorcycles. Glanville insists that the dissolution of her marriage was her decision, not Cibrian's, and she airs all of his dirty laundry and lies. A former model, Glanville is certainly no writer—she was assisted by Hollywood Reporter contributor Bruce—but her effervescent voice and often shocking candor help make her stories at least entertaining. In the notoriously superficial Hollywood social scene, Glanville stands out for her willingness to be vulnerable and even to look bad; she admits to plastic surgery and a DUI arrest and looks back at her mistakes with regret. She offers no apology for who she is, and her personality, love it or hate it, comes across as authentic.

Frothy, straightforward and surprisingly addictive.

Pub Date: Feb. 12, 2013

ISBN: 978-1-4767-0762-4

Page Count: 256

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: March 30, 2013

Kirkus Reviews Issue: April 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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