An uneven but often intriguing look at a modern creative artist.
Lund presents a collection of essays and other short writings.
This compilation kicks off with a review of a 2015 exhibit at Los Angeles’ California Science Center that featured the Dead Sea Scrolls. The author describes the scrolls’ presence as “ghostly,” and the tour as brief, but notes that the experience was still worth the trip. A bit later, the work presents a no-frills description of a Rose Bowl football game (“Eventually, Georgia defeated Oklahoma in double overtime, (54-48)”) and then offers original poetry, which is sometimes startling (“Breakfast / Sits / Like a pine cone / In my ass”), and other times grandiose (“My greatness will be realized despite my mortal cage!”). Not long after an academic essay on Geoffrey Chaucer comes the hardiest fare in the collection—a journal. In brief entries, the author describes his creation of independent comic books over the course of a few years. The journal will provide plenty of tips to the uninitiated, such as the importance of having promotional items at the Alternative Pres Expo in San Francisco. The collection’s final pages offer a short, oddly violent screenplay, featuring characters with names such as “Rock-Head” and “Knuckles Tony”; at one point, a young, female character is described as “Very pretty, but not astonishing.” This book, as its subtitle indicates, encompasses a multitude of odds and ends, which function more as a portrait of their creator than any kind of cohesive narrative. Readers don’t get very many details about what it’s like to live in LA, enjoy the occasional museum visit, and try to make it in the comic book business. However, altogether, the book offers an intimate and inviting précis of the artist himself. That said, certain portions are unhelpfully obtuse; for example, regarding a display of William Shakespeare’s folios, the author vaguely and confusingly observes that “Genius pokes holes in hubris and casts light while many people struggle with their endeavors in the arts.”
An uneven but often intriguing look at a modern creative artist.Pub Date: April 4, 2019
ISBN: 978-1-64426-553-6
Page Count: 140
Publisher: Rosedog Books
Review Posted Online: July 8, 2019
Review Program: Kirkus Indie
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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