Dutifully constructed and sometimes surprising, but only occasionally insightful.
Pro skateboarder loses everything to drugs, sees little light at the end of the tunnel afterward.
Readers will learn more about Novak’s impressive skateboarding career in the ’90s by reading Tony Hawk’s foreword than by reading the book itself. This is an addiction memoir, and the genre’s format is by now practically set in stone: modern-day opener into which rude reality intrudes, then flashback to start of life of addiction, leading up to getting clean and ultimately vindication. While Novak and co-author Frantz don’t stint on the stock scenarios, they break the mold by not pretending that a junkie’s chaotic life can or should be represented in such a cut-and-dried fashion. Novak begins on August 11, 2003: “I am a twenty-five-year-old junkie, sleeping in an abandoned garage in one of the worst parts of Baltimore City.” By the end of that day, he has hustled money from his mother, stolen furniture and turned a trick with a man twice his age to get his fix. The narrative settles into a rhythm after the recidivist Novak is checked into detox by a sponsor of nearly limitless patience. Following that, his account only occasionally darts backward into a happier youth, when he was touring the world as part of the famous Powell Peralta team, skating with the likes of Hawk, Buck Lasek and Steve Caballero. He served as a courier for a dealer while still on the team and crawled into the depths from there. The story of his inveterate addiction is only competently delivered, with Novak and Frantz providing reams of unnatural-sounding dialogue for the totemic figures—understanding counselor, abused mother, tough guardian-angel fellow junkie—who try to halt his slide into self-destruction. The book’s saving grace is the conclusion, which rejects the easy self-congratulation of too many addiction memoirs in favor of a closing memento mori.
Dutifully constructed and sometimes surprising, but only occasionally insightful.Pub Date: Oct. 1, 2008
ISBN: 978-0-8065-3003-1
Page Count: 272
Publisher: Citadel/Kensington
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2008
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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