by Bree Galbraith ; illustrated by Isabelle Malenfant ‧ RELEASE DATE: Oct. 1, 2013
Maybe it’s time for balloon stories to retire along with Frank
A lighter-than-air answer to that eternal question: Where do balloons go? Chicago.
Specifically, they end up with Frank, Chicago’s Nocturnal City Collection Custodian, who travels around the Windy City with a bouquet of specialized tools to retrieve lost balloons. Poor Frank is overworked and dreams of eventual replacement by a robot that might liberate him to enjoy Chicago in the daytime. At least this is the story that Zeke tells his little brother, Theo, after Theo lets go of the string of his new green balloon. Theo is so taken by the story that Zeke writes a message to Frank on his orange balloon, and then the brothers let it go as well. Malenfant uses a deliberately childlike style to illustrate this sweet flight of fancy, which celebrates storytelling, the bond between siblings and the wonder of a serendipitous connection, all at the same time. The image of lonely, hardworking Frank sitting in a deserted dugout with a few stray balloons says it all. But appealing as Theo, Zeke and the perhaps-fictitious Frank are, it’s hard not to wonder whether yet another story that celebrates releasing balloons is the best thing we could be doing for the world, particularly as Theo’s killjoy mother delivers a story that is probably closer to the truth than Zeke’s: that balloons probably pop as the air pressure changes, resulting in balloon fragments on the ground.
Maybe it’s time for balloon stories to retire along with Frank . (Picture book. 4-8)Pub Date: Oct. 1, 2013
ISBN: 978-1-4598-0324-4
Page Count: 32
Publisher: Orca
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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by Phil Rosenthal & Lily Rosenthal ; illustrated by Luke Flowers ‧ RELEASE DATE: Feb. 6, 2024
Amusing but misleading on the nutritional and behavioral fronts.
With one taste of despised mustard, a child pivots from rejecting new foods to seeking them.
Dad takes Lil to a food truck festival. Lil, who narrates the story, is nervous; this child’s list of acceptable foods is short (pizza, rice, grilled cheese, french fries, and vanilla ice cream). Dad loves varied tastes and repeatedly reminds Lil of his rule: “Just try it!” With a “YECCCH!” or an “EWWWWWW!” Lil refuses a bagel loaded with toppings, linguini with clams, Peking duck, pizza with spinach and garlic, and a pretzel covered with Lil’s most hated of foods: mustard. Frustrated, Lil accidentally knocks the pretzel onto Dad’s shirt. Lil apologizes, takes a lick of mustard…and instantly learns to appreciate every rejected offering. Lil then uses the title mantra to pressure Dad onto a nausea-inducing roller-coaster ride. Bright, cartoon-style illustrations emphasize the pair's upbeat mood. Food neophobia, or an aversion to eating anything novel, has complex psychosocial roots. But in this blithe little fable, the child’s resistance is completely overcome with a single accidental exposure, and the formerly picky eater immediately becomes a novelty seeker. The turnaround here is implausible; if this book creates any expectations of a sudden dramatic change in a child’s behavior, that would be a disservice. Both Dad and Lil are light-skinned.
Amusing but misleading on the nutritional and behavioral fronts. (Picture book. 4-8)Pub Date: Feb. 6, 2024
ISBN: 9781665942638
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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