A vivid futuristic setting enfolds a fundamentally nostalgic plot.
In near-future Australia, “bee” is both a noun and a verb.
Before the famines that occurred 30 years ago, crops were pollinated by actual bees, but wanton pesticide use means that now the job must be done by children who are light and quick enough to hand-pollinate the orchards that produce the fruit that’s taken to the city. Peony, the novel’s charismatic 9-year-old narrator, wants nothing more than to bee, but Foreman doesn’t pick her. That’s bad enough, but even worse is when Ma comes from the city where she works and takes Peony away from Gramps and her beloved sister. In the city, Peony must wear shoes and wait on the Pasquales, a family of three that lives in comfort Peony can’t fathom. MacDibble effectively creates a not-quite-post-apocalyptic world of tremendous class contrasts, with farmworkers who live in dire poverty and frightening, teeming crowds of “raggy people” in the city; the elites live in seeming oblivion. But once Peony gets to the city, the plot devolves into a Secret Garden–esque arc in which Peony combines Mary Lennox’s abrasive impulsivity and Dickon’s simple country wisdom as she befriends and nurtures the Pasquales’ imperious daughter, who, Colin-like, is hostage to her own fears. Peony seeks not revolution but a return to the orchard, her enlightenment an entirely personal one. Racial distinctions are effectively invisible, implying a white default.
A vivid futuristic setting enfolds a fundamentally nostalgic plot. (Post-apocalyptic adventure. 9-13)Pub Date: March 3, 2020
ISBN: 978-1-77306-418-5
Page Count: 224
Publisher: Groundwood
Review Posted Online: Jan. 25, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.
Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.
Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)Pub Date: Aug. 28, 2012
ISBN: 978-0-545-17534-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
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