Get this now—it’s better than candy.
Get ready to enjoy a laugh-out-loud, fast-paced adventure involving a secret crush, a runaway valentine with an attitude and lots of candy.
Leon has a huge crush on Zoey Maloney. He cuts out a big red heart and reveals his feelings. All seems well until the valentine—depicted with wide-eyed disbelief and an oversized mouth—declares, “PUL-EESE! You can’t tell [her] you love her! / …It’s mushy and gross and just plain YUCKY!” Leon thinks Valentine’s Day is all about love; the heart is sure it “is all about candy.” So, he leaps out the window to escape having to proclaim Leon’s affections. What ensues is a hilarious chase that progressively gathers more and more people—boys, girls and teens—who all weigh in on whether the valentine should go to the girl of Leon’s dreams. Ferber gets the character development and dialogue just right. The heart is silly but a tough talker, and in contrast, Leon is earnest and determined. The urgent chase is propelled by quick descriptions that make readers want to turn the pages even faster. Arnold, illustrator of the Fly Guy series, digitally creates varied spreads that look like a super-size version of a Sunday comic strip. Bright with saturated colors, the focal point is always the spunky red heart that conveys an impressive range of funny facial expressions for such a little thing. All too soon, a spectacular crash in the candy store yields romantic results for both the valentine and Leon.
Get this now—it’s better than candy. (Picture book. 4-8)Pub Date: Dec. 6, 2012
ISBN: 978-0-8037-3505-7
Page Count: 32
Publisher: Dial Books
Review Posted Online: Oct. 9, 2012
Kirkus Reviews Issue: Nov. 1, 2012
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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