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THE GRACE KELLY DRESS

A story for fans of happily-ever-after, where love and acceptance resolve every problem and money is no object.

A wedding dress designed in 1958 Paris is passed along the generations in this three-part story about the women who wore it to walk down the aisle.

This is the tale of one wedding dress. One-third of the story follows its design and construction by Rose, a hardworking seamstress and orphan who creates the dress for Diana Laurent when Madame Michel—the head of the atelier where Rose works—suddenly dies without naming a protégé to take over the business. The daughter and granddaughter of the original woman who wore the dress adapt it in two subsequent generations to make it their own. College-student Joan inherits the dress from her mother, and one-third of the book details her ill-advised engagement in 1982 to a man she doesn’t particularly care for even though she longs for a grand wedding and the inclusion of so-called "Princess Diana sleeves" on the dress. The remaining third of the book details successful video game app developer Rocky’s wedding planning in 2020 as she prepares to marry her love, Drew, a venture capitalist, and her inheritance of the dress, which she does not want to wear. Author Janowitz (The Dinner Party, 2016) has created a frothy story where unlimited money and love flow freely. The tale touches ever so lightly on weighty issues—drug use and overdoses, death, infidelity, a quest to find a birth mother, and gay rights. Joan’s story has the most depth, but it hangs together uneasily with Rose’s and Rocky’s as a result, as it is a much earthier exploration of self, autonomy, and maturity than is offered by the other two stories.

A story for fans of happily-ever-after, where love and acceptance resolve every problem and money is no object.

Pub Date: March 3, 2020

ISBN: 978-1-525-80459-5

Page Count: 336

Publisher: Graydon House

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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TONY'S WIFE

A heartfelt tale of love too stubborn to surrender to human frailties.

When Chi Chi Donatelli gave famous crooner Saverio Armandonada a manicure on a 1930s New Jersey beach, little did she know that the swanky singer would change her life.

After his childhood sweetheart married another man, Saverio left the security of his job on the factory line in Detroit, earning his father’s disapproval but opening wide the door to success as a big-band singer. Along his way to stardom, Saverio changed his name to Tony Arma and discovered a talent for romancing—but never marrying—the ladies. But once he meets Chi Chi, his bachelor days are numbered. From a large, boisterous Italian family, Chi Chi is eager to have a life like Tony’s, with the freedom to sing and travel the country. She wants no part of marriage with its shackles. Soon Chi Chi and Tony are touring together, eventually developing a profitable shtick, with Chi Chi writing bestselling songs and Tony serenading them to dreamy audiences. It’s only a matter of time before Tony proposes. After all, unlike his other girls, Chi Chi offers Tony not only beauty and charm, but also the stability of a home. The lovers’ work in the entertainment industry gives way to a marriage blessed with babies yet held apart by war. Once reunited, Chi Chi’s independence and Tony’s philandering further fracture their marriage. But as Tony’s path wends from woman to woman, Chi Chi forges a new life on her own terms. A mistress of the sweeping family saga, bestselling author Trigiani (Kiss Carlo, 2017, etc.) sets Chi Chi and Tony’s lifelong love affair against the grand stage of World War II through the postwar boom years and the women’s liberation movement, tracing a society catching up with Chi Chi’s determination to control her own financial and personal freedom.

A heartfelt tale of love too stubborn to surrender to human frailties.

Pub Date: Nov. 20, 2018

ISBN: 978-0-06-231925-8

Page Count: 464

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 20, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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WINTER GARDEN

Bestselling Hannah (True Colors, 2009, etc.) sabotages a worthy effort with an overly neat resolution.

A Russian refugee’s terrible secret overshadows her family life.

Meredith, heir apparent to her family’s thriving Washington State apple enterprises, and Nina, a globetrotting photojournalist, grew up feeling marginalized by their mother. Anya saw her daughters as merely incidental to her grateful love for their father Evan, who rescued her from a German prison camp. The girls know neither their mother’s true age, nor the answers to several other mysteries: her color-blindness, her habit of hoarding food despite the family’s prosperity and the significance of her “winter garden” with its odd Cyrillic-inscribed columns. The only thawing in Anya’s mien occurs when she relates a fairy tale about a peasant girl who meets a prince and their struggles to live happily ever after during the reign of a tyrannical Black Knight. After Evan dies, the family comes unraveled: Anya shows signs of dementia; Nina and Meredith feud over whether to move Mom from her beloved dacha-style home, named Belye Nochi after the summer “white nights” of her native Leningrad (St. Petersburg). Anya, now elderly but of preternaturally youthful appearance—her white hair has been that way as long as the girls can remember—keeps babbling about leather belts boiled for soup, furniture broken up for firewood and other oddities. Prompted by her daughters’ snooping and a few vodka-driven dinners, she grudgingly divulges her story. She is not Anya, but Vera, sole survivor of a Russian family; her father, grandmother, mother, sister, husband and two children were all lost either to Stalin’s terror or during the German army’s siege of Leningrad. Anya’s chronicle of the 900-day siege, during which more than half a million civilians perished from hunger and cold, imparts new gravitas to the novel, easily overwhelming her daughters’ more conventional “issues.” The effect, however, is all but vitiated by a manipulative and contrived ending.

Bestselling Hannah (True Colors, 2009, etc.) sabotages a worthy effort with an overly neat resolution.

Pub Date: Feb. 2, 2010

ISBN: 978-0-312-36412-0

Page Count: 400

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2009

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