A sensitive portrayal of sibling love, grief, and the trauma of dislocation.
A younger brother’s death by suicide in Madrid haunts the immigrant narrator of this second novel by award-winning Mexican writer Navarro.
An unnamed protagonist and her brother, Diego, live with their grandparents in Mexico City. When only a girl herself, she was charged with her brother’s care by their mother, who left in search of work and a better life in Spain. Though their mother promised to send for them soon, it’s nine years before they join her in Madrid. A teenager by this point, bullied in school, Diego takes refuge in the music of Vampire Weekend, while the narrator works a series of poorly paid caretaking and cleaning jobs. Navarro writes with authority and sympathy about the stress of being an immigrant, including loneliness, exhaustion, poor working conditions, and the strain of constantly feeling foreign and unwelcome. The novel starts with Diego’s death by suicide, and continues in a series of layered flashbacks. While Navarro is broadly interested in themes of immigration and the colonial legacy, the novel is firmly rooted in the specific, palpable lives of her characters, which she renders with nuance and honesty. When Diego turns moody and withdrawn, steals money, and skips class, his sister thinks: “I understood Diego. Ever since we got to Spain we’d been like amputees with no diagnosis. Like we were missing something, but everyone denied it....What could have possibly been amputated? Well, Mexico, I thought. They’ve cut off our Mexico.” But Mexico itself is violent and unsafe, as she sees firsthand after returning with her brother’s ashes. It provided a “sense of belonging, but at the same time of being a crab in a bucket climbing onto the backs of the others, trying to get out.”
A sensitive portrayal of sibling love, grief, and the trauma of dislocation.Pub Date: Jan. 20, 2026
ISBN: 9781324096085
Page Count: 240
Publisher: Liveright/Norton
Review Posted Online: Oct. 9, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK TO SCREEN
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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