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WOLF PIE

Deviating from traditional retellings of “The Three Little Pigs,” James, Marvin and Lester Pygg build one brick house together at the start of this lively, accessible fractured tale. Marvin and Lester, cleverly depicted reading a copy of the traditional book, suggest building with straw or sticks, but James insists on sturdy bricks to safeguard against hungry wolves. When Wilfong the wolf shows up, he huffs and puffs, but the Pyggs don’t let him in—and in a twist, he doesn’t let them out. Stubborn and hungry, he spies on the Pyggs, soon growing fond of them and of the food they compassionately share. After being slowly reformed and welcomed into the Pyggs’ friendship, Wilfong cooks a vegetarian pot pie (not a lupine pie, as the title suggests) and serves it to a “bunch of big bad wolves” lurking outside. Fooled, they agree to leave as long as they get his recipe. Callen’s humorous, vibrant multimedia art deftly matches the tone of Seabrooke’s amusing tale, resulting in a winning collaboration for independent readers ready to move on to meatier texts. (Early reader. 6-8)

Pub Date: June 1, 2010

ISBN: 978-0-547-04403-3

Page Count: 48

Publisher: Clarion Books

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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