Sportswriter Boyd (The Great American Baseball Card Book, etc.) recounts the story of how professional gamblers fixed the Black Sox series. Boyd's twist on this familiar material is to make the players peripheral to the gamblers. His narrator, Joseph ``Sport'' Sullivan, a small-time chiseler with dreams he's never acted on, spends a hundred pages peddling the fix to gambling kingpin Arnold Rothstein, who'll supply the payoff money, and to eight of the players, who'll throw the games. In effect, then, Sport is nobody, just a man with an idea that takes on a life of its own. In tracking the fate of Sport's dream of the perfect scam, Boyd shoves everything and everyone else offstage- -the intrigues and double-crosses that drive down the odds on Cincinnati before Sport can get his money down, the obligatory historical cameos (Ring Lardner, George M. Cohan, Jack Dempsey, Babe Ruth, etc.), and the Series itself (which flashes by in a blur as Sport, accompanied by a distant pickup named Rose, scurries to compound his wagers after each game). The payoff comes in the long, memorably dreary epilogue, as Sport, rich but terminally aimless, drifts from Chicago to California to New York and Boston trying to spend his money and set up another score on his own: a Hollywood picture, a bicycle race, a prizefight, another Series. But the price for these powerfully depressive chapters is high: everybody but sententious Sport (who warns aptly of moments ``so ripe with contrary significance that I might easily allegorize them out of existence'') passes by shrouded in fog. Boyd is no E. L. Doctorow or F. Scott Fitzgerald; he may remind you more of your garrulous Uncle Bill. Even so, this is a genuinely original retake on one of the most compelling American fables.
Pub Date: Sept. 23, 1991
ISBN: 0-393-03020-2
Page Count: 352
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1991
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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