What could have been an interesting period piece about the creative process turns out more like an episode of Behind The...
A young group of musicians toiling on a series of educational songs for television get into that ’70s groove, in this tepid rock ’n’ roll melodrama from Halpin (How Ya Like Me Now, 2007, etc.).
The summer of 1972 finds aging folkie Pamela Sanchez contracted to write songs for Pop Goes the Classroom, an animated project dreamed up by network exec Clark Payson to run between cartoons on Saturday mornings. Pamela hires her drummer Dingo Donovan to produce four fresh-faced musicians hired to write songs like “Funky Solar System” and “Polly Preposition.” The two guys are Peter Terpin, a musician so far down on his luck he takes to living in the studio, and Levon Hayes, a black engineering student who fled college to tour with the Supersonic Funketeers. Their female counterparts are only slightly more complex. Sarah Stein is the most timid and insecure member of the quartet, while Julie Waterston, a former ad exec hired to be the studio’s “undercover professional,” is much more ambitious. Frankly, this bunch could use some adult supervision. Between the multitudes of wine and weed Pamela provides for “inspiration,” the bed-hopping between bandmates and the machinations and manipulations of their wily leader Pamela, the group starts to make Fleetwood Mac look like a picture of domestic bliss. The straight-laced Julie is startled by the drama involved. “I don’t want to go back to advertising, but if this is what it’s like to work outside of advertising, I don’t think I can do it. I mean, is this what it’s like?” she asks Dingo. “You mean the backstabbing and the jealousy and all that stuff?” he replies, a quote which pretty much covers the resolution of the project.
What could have been an interesting period piece about the creative process turns out more like an episode of Behind The Music: Schoolhouse Rock!Pub Date: March 24, 2009
ISBN: 978-0-8129-7703-5
Page Count: 288
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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