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IT TAKES A WORRIED MAN

A MEMOIR

An affectingly honest account of what it means to watch helplessly as a loved one suffers: a timely addition to the...

A husband’s frank, conflicted recollections of coping with his young wife’s stage-four breast cancer.

Brendan, a Boston high-school English teacher, and wife Kirsten are both 32 when she is diagnosed in September 2000. They have a three-year-old daughter, Rowen, they’ve just moved into a new house, and life so far has been pretty good. But the cancer has spread to Kirsten’s spine, so before they perform a mastectomy her doctors advise chemotherapy. Brendan describes Kirsten’s rounds of treatments (he shaves off his hair when she loses hers), his efforts at parenting, and his occasionally difficult relations with his mother and his in-laws, who are trying to help but have needs of their own. His story alternates heartbreaking moments of despair (a round of chemotherapy that doesn’t work) with inspiring affirmations of love and life (a birthday party that fills their small house with supportive friends). Brendan is beguilingly frank about his fears and failings: his father died suddenly when he was nine, which has made him a hypochondriac fearful of death; he admits that he finds it easier to work than to stay home with his convalescing wife; and he does notice pretty women, though he is resolutely and lovingly faithful. At his Unitarian church, he wrestles with questions of faith, of good and evil; not always certain about God, he is deeply appreciative of fellow churchgoers who clean and pitch in when he needs them. Video games, music, and movies also help a little. Brendan admits that, although Kirsten has survived chemo, he is writing a story with a choice of possible endings, most unhappy. His prose is breezy, his attitudes hip, but he vividly describes real anguish and fears.

An affectingly honest account of what it means to watch helplessly as a loved one suffers: a timely addition to the literature of disease.

Pub Date: March 12, 2002

ISBN: 0-375-50716-7

Page Count: 224

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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