Rich in its historical Irish backdrop while delivering the genre goods.
A man hoping to make sense of his wife’s death in Ireland winds up in the middle of an Irish Republican Army splinter group’s struggle against British forces in Sullivan’s debut thriller.
U.S. college professor Mick McKenna heads to Belfast, where his photojournalist wife, Sarah, died from a car bomb while on their honeymoon. It’s 1998, and Mick wants to learn more about the ongoing Troubles, which may help him understand the reason for Sarah’s death or perhaps come to terms with it. He stays with distant relatives, nationalists who, like the IRA, support the removal of British rule in Ireland. But it’s an IRA splinter group that Mick has to worry about. Members of the New Republican Brotherhood, who reject the country’s proposed peace plan, hold Mick hostage after he witnesses a murder. His only chance of staying alive, it seems, is to aid the group in a terrorist strike. The author tells two stories. The first is of the Irish-American widower learning about his heritage; the second is a taut thriller. The novel starts slow but builds: Mick’s needs for answers and apparent vengeance for his wife’s murder gradually wane as he garners an appreciation and respect for Ireland’s political circumstances. Once the New Republican Brotherhood enters the story, there are unmistakable villains, and tensions skyrocket when the group sends Mick to New York to extract info for finalizing a sale of surface-to-air missiles. Despite the two narratives, Sullivan clearly has a cohesive tale. FBI Special Agent Cecil Maxwell, for one, is working a case on the gunrunning IRA in the States, which ultimately connects to Mick’s predicament. Mick’s love of Sarah is likewise a persistent theme: the hint of attraction and possible romance between Mick and Jillian Morrissey in Ireland seems to keep Mick focused on his late wife. The final act, in contrast to the beginning’s unhurried pace, practically sprints to the end, while the quiet epilogue is a fine coda.
Rich in its historical Irish backdrop while delivering the genre goods.Pub Date: May 20, 2014
ISBN: 978-1-4959-7064-1
Page Count: 426
Publisher: CreateSpace
Review Posted Online: Aug. 24, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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