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THE BELL WITCH

AN AMERICAN HAUNTING

Ever-intelligent horror novelist Monahan (The Blood of the Covenant, 1995, etc.) retells a true story—true as far as the participants knew—about a poltergeist. The book purports to be a recently discovered manuscript written by Richard Powell, an eyewitness of the Bell Witch haunting in Robertson County, Tennessee, 181721. Monahan says that his first skeptical reading of the manuscript led him to six books confirming the authenticity of the events. Indeed, Richard Powell, the long-dead narrator, is himself a skeptic who seems to know all the devices of poltergeists, and in particular how poltergeist activity within a home reflects a family's psychic torment. Poltergeists (racket-makers) do not attack from without but rather are a spiritual pustule erupting from within a deeply troubled household. The poltergeist in this case seemed set on doing away with John Bell, the head of the family, while at the same time gradually evolving a rather homey tie with the other family members that lasted for three years and was witnessed by many. The spirit first showed up as something invisible gnawing nightly on bedposts, raining rocks on the roof, ripping covers off beds, and repeatedly slapping 12-year-old Betsy Bell and pulling her across the floor by her hair. At times the spirit allowed itself to be touched; it gathered news from afar for the family; lectured on theology; sang sweetly in four different voices; and rescued children in trouble. For three years, the spirit joked, lectured, ran off frauds and charlatans, and even nursed Bell's sick wife, producing nuts and berries for the invalid out of thin air. Even so, it afflicted the father with palsy, tics, and neuralgia, and at last watched him die. What produced the poltergeist? It's unfair to reveal here Monahan's reasonable yet supernatural answer. More artful, if less exciting, than Monahan's brainy bloodsucker operas—but all immensely satisfying.

Pub Date: March 1, 1997

ISBN: 0-312-15061-X

Page Count: 208

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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