Plenty of excitement for Clancy fans.
Chinese president Li Jian Jun plans a sneak attack on Taiwan, and it’s up to the Jack Ryan administration to stop him without going to war.
President Li announces a naval exercise, but his real plan is Operation Sea Serpent, the lightning reunification of Taiwan. His minister of defense, Admiral Qin Hâiyû, thinks the idea is crazy because a great number of people would die, but he can’t say so. Li is not a man to be challenged, and he’s already had one of his ministers executed. But Qin wants to stop the war before it begins. Perhaps he can get word to the Americans so they can cut off the mad scheme, and he’s troubled by whether his actions will make him a traitor or a patriot. A Western asset nicknamed the Spider helps facilitate his dangerous disappearance as he attempts to leave China, and authorities in Beijing don’t know if he’s been kidnapped or has defected. Meanwhile, the Ryan administration wants to get him safely extracted from mainland China. President Ryan orders that an American naval vessel will transit through the Strait of Taiwan, which the People’s Republic has blockaded. Will there be a bloody showdown that triggers a major war? So much can go wrong, and there are series regulars like John Clark and Ding Chavez at the tip of the spear. And there’s also Katie Ryan, a lieutenant commander with the Office of Naval Intelligence who’s deployed to Taiwan because she’s “one hell of an intelligence analyst” who “thinks outside the box.” She’s a “rising star” who refuses to trade on her relationship with her father, President Ryan. There’s not much violence, although there’s enough to call it a military thriller. One brave American is fading fast from a round to his chest, but he has time to smile about that “hot” Katie Ryan. (Yes, yes, we all like the Ryans.) The novel’s big question is not which nation wins, but whether they fight. Bravery and clear thinking will have to come from both sides. By the way, Jack Junior isn’t in this one—it’s Katie’s time to shine.
Plenty of excitement for Clancy fans.Pub Date: Dec. 3, 2024
ISBN: 9780593717974
Page Count: 432
Publisher: Putnam
Review Posted Online: Oct. 10, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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