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PUNCH ME UP TO THE GODS

A MEMOIR

A stellar debut memoir.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2021


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An engrossing memoir about growing up Black and gay and finding a place in the world.

Structured around Gwendolyn Brooks’ poem “We Real Cool,” Broome’s thought-provoking, emotional journey unfolds through a clever use of parallel stories and juxtaposition. Writing about an experience at a bus stop on “the Black end of town,” where he watched a father berate his toddler son for crying, the author addresses his own upbringing with an abusive father whose “beatings were like lightning strikes. Powerful, fast, and unpredictable. He held his anger so tightly that, when it finally overtook him, the force was bone-shaking. He punched me like I was a grown-ass man.” As a dark-skinned Black boy in Ohio, Broome’s childhood was fraught with peril; at school, it was made abundantly clear that God “made white people and Black people and meant for us to stick to our own kind.” His parents used shame and abuse to try and toughen him up, tactics the author describes in heart-wrenching detail. While watching the man on the bus, he realized that “what I am witnessing, is the playing out of one of the very conditions that have dogged my entire existence. This 'being a man' to the exclusion of all other things.” Moving back and forth through time, Broome revisits similar scenes—e.g., punishment and rejection for not acting according to someone’s expectations, halting attempts to express himself—and he interrogates his complicated relationship with his parents. In one particularly poignant passage, the author describes how he convinced his mother to buy him a girl’s shirt at the store: “And from that day to this one, no one has ever looked at me like my mother did that day. It was pity mixed with worry for what was to come. It was the piping pink manifestation of all she had ever suspected.” Beautifully written, this examination of what it means to be Black and gay in America is a must-read.

A stellar debut memoir.

Pub Date: May 18, 2021

ISBN: 978-0-358-43910-3

Page Count: 256

Publisher: Mariner Books

Review Posted Online: March 19, 2021

Kirkus Reviews Issue: April 1, 2021

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LA LUCCI

Lucci’s legion of fans will adore this gracious nod to her career longevity and positivity.

Daytime television’s most recognizable actress digs deeper in this second memoir.

Her career-defining, four decades–long stint on the daytime soap All My Children as the villainous Erica Kane has made Lucci a recognizable household name in daytime television circles. In this sophomore effort, comprised of a vivid and engaging collection of anecdotes and adventures, the actress reveals more intimate details of her struggles as well as her personal life and professional career. From the time she began performing in high school stage musicals, Lucci admits to always wanting to be onstage. Working through chronic shyness, her self-motivation and spirit drove her to pursue an acting career despite the many disappointments, callous dismissals, and various roadblocks that stood in her way. She expresses an open admiration for her parents, fellow performers who mentored her up the Hollywood ladder, and Muhammad Ali, who “owned his excellence,” as models of inspiration. Other sections reflect on her time as a working mother, the tricks to “growing old gracefully,” and how her faith, quest for joy, love of reading, and zest for life continue to sustain her. In an effort to create a more balanced memoir, Lucci also opens up to candidly share several sad and unsavory moments like being told she should probably abandon a career in television because she was too “ethnic looking”; the devastating day All My Children was canceled; the near loss of her son, Andreas, as an infant; and the feeling, upon the death of her husband, Helmut, in 2022, that the light within her “had gone out forever.” However crushing these events in her life were, they were counterbalanced with uplifting triumphs and only served as motivators to continue pushing forward to seek out the success and happiness she knew she deserved. With verve and perseverance, Lucci gleefully boasts about her starring roles in off-Broadway hits and concurrent film roles, yet, in her late 70s, she remains deeply grateful and humble and shows no signs of stopping anytime soon.

Lucci’s legion of fans will adore this gracious nod to her career longevity and positivity.

Pub Date: Feb. 3, 2026

ISBN: 9798874868284

Page Count: 196

Publisher: Blackstone

Review Posted Online: Nov. 8, 2025

Kirkus Reviews Issue: Dec. 15, 2025

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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