An absurdly humorous novel of the paranormal whose enthusiasm and profundity make it truly exceptional.
In Corley’s debut fantasy/comedy, a ghost learns that the afterlife has its own unique set of pitfalls, including direct threats from demons.
When Jonah Preston sunk all his money into his Austin, Texas, home, he certainly didn’t anticipate that it would be haunted. The ghost of the previous owner, Willard Hensch, wants him and his best friend and roommate, Maxim “Max” Alvarez, to get out—and no amount of Ouija-board negotiations can change his mind. Willard even threatens murder, and sure enough, Jonah awakens one morning to find that he’s no longer in the corporeal world. Adjusting to the ghost life is initially a breeze: he figures out how to move physical objects, finds a way to communicate with Max, and even befriends an angel named Seph. His real troubles begin after he helps a few other spirits move on to “the next place.” This connects him with the Psy-kicks, a team of Ghostbusters-like paranormal investigators (soon including Max) that Jonah legitimizes by ensuring that unruly ghosts are irrefutably gone. Unfortunately, Jonah’s notoriety among other spirits catches the attention of demons. Willard continues to demand that Jonah and Max get out of his house, and he teams up with dangerous partners who are more than happy to take Jonah on. Corley’s tale is largely played for laughs; Jonah and Max drop frequent one-liners and are undaunted by the ones that fail (“Look, they can’t all be gems,” Jonah asserts). But the story also boasts its share of sincere moments. Jonah’s choice to help ghosts move on, for example, is a purely selfless one, and a lengthy final-act discussion of angels and demons is surprisingly insightful. Although it’s clear that he has some natural skills as a ghost, the way that he masters one ability is disappointingly easy, involving him recalling the 1990 film Ghost and the Japanese anime Dragon Ball Z. The story is thoroughly resolved but also offers a tease for potential sequels.
An absurdly humorous novel of the paranormal whose enthusiasm and profundity make it truly exceptional.Pub Date: Feb. 6, 2018
ISBN: 978-0-692-04841-2
Page Count: 344
Publisher: CreateSpace
Review Posted Online: Jan. 10, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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