Disconnected plot elements give this quirky tale from Doyle (Spud Sweetgrass, 1996, etc.) a superficial, slapdash air. Fleeing his abusive father, Mickey washes up at his uncle's farm outside a small Quebec town, where, due to some kindness, he loses his intense fear and penchant for bedwetting. Later his battered mother appears, too, with his father hard on her heels; she and Ronald drive him off, but in his rush to get away he falls beneath a passing train. Meanwhile, the town is engaged in a localized tax revolt, playing a variety of amusing pranks on a hapless squad of assessors. Doyle's anile brand of humor—Mickey's account of what happens when he tries to keep his bed dry by attaching a hose to himself will have some readers wincing, and after the tax collectors' wagon wheels are loosened, ``policemen's nuts'' becomes a running joke—trivializes the story's serious themes, although the serious ultimately weighs down the farcical. Framing the whole episode as a flashback narrated by Mickey at age 112 adds a faintly grotesque, pointless twist. Unlike Spud, this Doyle's a dud. (Fiction. 10-12)
Pub Date: March 1, 1997
ISBN: 0-88899-266-1
Page Count: 144
Publisher: Groundwood
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1997
BOOK REVIEW
BOOK REVIEW
Readers may wonder who to root for in this disappointing follow-up to one of the best animal stories in years.
Still grieving over the loss of her beau Ragweed of Poppy (1995), the intrepid deer mouse decides to bring the sad news to his family in this uneven, heavy-handed sequel.
Setting out from Dimwood Forest with her hopelessly infatuated porcupine friend, Ereth, Poppy arrives just in time to help Ragweed’s parents and numerous siblings avert eviction. Led by ruthless Caster P. Canad, a crew of beavers has dammed up the nearby brook in preparation for a housing project. The mice have already been flooded out of one home, and their new one is about to be threatened. Saddened—but also secretly relieved to be out from under his brother’s shadow—dreamy Rye dashes out to see what he can do against the beavers, and is quickly captured. Having fallen in love with him at first sight, Poppy organizes a rescue, urging the meek mice to fight back; they do. The bad guys silently depart, and Poppy and Rye set a date. Avi develops his characters to a level of complexity that provides a distracting contrast with the simplistic story, an obvious take on human land-use disputes, and easily distinguishable victims and villains. In language more ugly than colorful, Ereth chews over his feelings for Poppy in several plot-stopping passages, and is last seen accompanying the happy couple back to Dimwood.
Readers may wonder who to root for in this disappointing follow-up to one of the best animal stories in years. (Fiction. 10-12)Pub Date: June 1, 1998
ISBN: 0-380-97638-2
Page Count: 182
Publisher: Avon/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1998
This middle-grade read is heartfelt, but nostalgia that’s a bit too on the nose makes it hard to follow
Twelve-year-old aspiring astronaut Ebony-Grace Norfleet Freeman is lonely and homesick in New York.
When trouble hits her family like an asteroid, Ebony-Grace, aka Cadet E-Grace Starfleet, is forced to leave her beloved grandfather and her hometown of Huntsville, Alabama, to spend a week with her father in Harlem, New York—or as she calls it, “No Joke City.” Determined to ignore what she calls the “Sonic Boom,” New York’s hip-hop revolution in the early 1980s, Ebony-Grace rejects the people, music, and movements of Harlem, instead blasting off in her mind aboard the Mothership Uhura to save her grandfather, Capt. Fleet. Stuck, Ebony-Grace works to navigate a new frontier where she is teased and called “crazy” because of her imaginative intergalactic adventures. Ostracized as a flava-less, “plain ol’ ice cream sandwich! Chocolate on the outside, vanilla on the inside,” Ebony-Grace tries her best to be “regular and normal,” but her outer-space imaginings are the only things that keep her grounded. The design includes images that sho nuff bring the ’80s alive: comic-strip panels, inverted Star Wars scripting, and onomatopoeic graffiti-esque words. Unfortunately, these serve to interrupt an already-crowded narrative as readers hyperjump between Ebony-Grace’s imagination and the movement of life in the real world, transmitted via news reports and subway memorials.
This middle-grade read is heartfelt, but nostalgia that’s a bit too on the nose makes it hard to follow . (Historical fiction. 10-12)Pub Date: Aug. 27, 2019
ISBN: 978-0-399-18735-3
Page Count: 256
Publisher: Dutton
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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