Call it speculative or SF, fantasy or horror, this is fiction that keeps the reader off balance, unsure and nervous.
This collection of unsettling stories blurs the lines between dream and reality, life and death, human and not, Bradbury and Borges.
An award-winning fantasist who’s been compared to Kafka, Evenson combines matter-of-fact verbal precision with anything-goes conjecture. The strongest pieces here, such as the title story, leave it unclear whether they’re illuminating psychological disturbance or supernatural terror. A man remembers how his mother, on rare occasion, would tell him stories that would scare him in a way that no mother ever should. His mother has no memory of this, nor would anyone else think it likely of her. But now that he has a son of his own, he reluctantly takes the boy to visit his grandmother, and the man’s worst fears are realized. The reader must determine whether the protagonist has suffered a total breakdown or has been right all along. Following that is the even stranger “Vigil in the Inner Room,” in which a mother—there’s a lot of focus on mothers—orders her daughter, Gauri, to hold vigil at the bedside of the girl’s recently deceased father while her brother, Gylvi, stands guard outside the doors. Both of them know their roles, for they’ve done this each time their father has died, “several dozen deaths.” In “Untitled (Cloud of Blood),” a painting causes the death of anyone who has the misfortune to possess it, or maybe causes them to die by suicide, and keeps a tally of the deceased on the back of its canvas. Some stories are a little heavier-handed, more like science fiction parables, concerning climate change, class warfare, and the myth of free will. Some humans behave inhumanly while their bionic constructions have learned to develop (or approximate?) an ethical dimension.
Call it speculative or SF, fantasy or horror, this is fiction that keeps the reader off balance, unsure and nervous.Pub Date: Sept. 10, 2024
ISBN: 9781566897099
Page Count: 256
Publisher: Coffee House
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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