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INFINITE

This cockeyed, suspenseful exploration of roads not taken is a dizzying delight.

Even fans used to the wild inventions of Freeman’s thrillers, such as Robert Ludlum’s The Bourne Evolution (2020), had better buckle their seat belts for this traversal of a troubled man’s alternate identities.

As if it weren’t enough to lose his wife, realtor Karly Chance, to a car accident he swam away from, Chicago hotel events manager Dylan Moran is jolted even more by seeing his double watching him from the riverbank. After he spots another version of himself wearing the bloodstained jacket his father had worn when he shot Dylan’s mother and himself and he learns that construction worker Scotty Ryan, the one-night stand Karly had been desperately trying to apologize for when she died, has been stabbed to death, he reaches out to psychiatrist Eve Brier, a stranger who's giving a lecture at his hotel and yet insists that he’s been seeing her professionally since the death of his best friend, Roscoe Tate, in another car crash that introduced Dylan to Karly in the first place. The doubles, Eve assures him, are real enough: alternate versions of himself living alternate lives in alternate worlds that have intersected with his own. Under her direction, Dylan allows himself to be injected with a cocktail of hallucinogens that sends him rocketing into first one of those worlds, then another, determined to neutralize the most dangerous of the doppelgängers, a serial killer who’s already murdered four Karly look-alikes. Each world offers him new possibilities for reversing his mistakes but also new pains, new griefs, and a deepening sense of estrangement, not only from Dylans leading increasingly nightmarish versions of his life, but from the life he thought was his.

This cockeyed, suspenseful exploration of roads not taken is a dizzying delight.

Pub Date: March 1, 2021

ISBN: 978-1-5420-2386-3

Page Count: 336

Publisher: Thomas & Mercer

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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CLOSE TO DEATH

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.

Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

Pub Date: April 16, 2024

ISBN: 9780063305649

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: April 16, 2024

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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