Abandoning the world of Redwall, Jacques's (Lord Brocktree, 2000, etc.) newest novel is a treasure hunt, preceded by a seafaring legend. Caught aboard a legendary doomed ship, The Flying Dutchman, a young boy endures cruelty and ill treatment under wicked Captain Vanderdecken and his evil crew. Joined by a black Labrador pup, our hero struggles to stay alive as the ship heads around Cape Horn. An avenging angel appears to condemn the ship to eternal struggle with the sea, but casts the two innocents aside on Tierra Del Fuego. The story really starts on page 76, several centuries later in 1896 England as the two come to save a village from being torn down and replaced by a quarry and cement factory, hence the search for needed documents. We get a hint that this adventure is one of many future stories for boy and dog as they eternally roam the earth fighting evil, helping good people to triumph. Goodness and intelligence are generally equated, as is criminality and stupidity. Characters are overdrawn, the plot equally melodramatic, and a certain tension is missing by knowing that our hero and his dog embody good and will live forever. The dog and boy communicate through thought transference, the dog often translating for other animals as well. For fans of Jacques, the length will be expected, the growth of the peripheral characters’ ability to stand up for themselves gratifying, and the murderous cruelty and evil of all the villains fitting them as valid opponents for avenging angel, boy and dog. The portrayal of the deeds of the evil captain and his equally horrible crew is vivid. It is the stuff of nightmares for the boy throughout the book, and readers may find it haunting long after the book is read. Victorian England's villains can't compare and are actually humorous, especially the London toughs called in as “frighteners.” Legend and magical elements enliven this melodramatic and sentimental tale, which will undoubtedly be beloved by Redwall fans. Zesty, but ultimately unsatisfying. (Fiction. 10+)
Pub Date: March 1, 2001
ISBN: 0-399-23601-5
Page Count: 327
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
Black is building a complex mythology; now is a great time to tune in.
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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