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MARIEL OF REDWALL

In volume four of the Redwall Abbey saga, peace is threatened when Mariel—a fierce young mousemaid who's lost her name but kept her hatred for Gabool, the pirate rat king—arrives worn and half-starved. After recovering her memory under the kind care of the Abbey animals, Mariel sets forth to settle accounts with Gabool, accompanied by Dandin, descendent of Martin the warrior mouse; Tarquin L. Woodsorrel of the ``long patrol'' of intrepid hares; and Durry Quill, an adventurous young hedgehog. Led by an old poem uncovered by Dandin; menaced by needle-beaked herons, masked weasels, and loathsome toads; and helped by unexpected allies, they make their way to Gabool's stronghold- -where his vicious band is in disarray and Gabool himself has been driven mad by the booming of the bell he stole from Mariel and her bellsmith father, en route to Lord Rawnblade Widestripe, badger hero. After hair-raising adventures, Mariel—with friends, father, a band of escaped slaves, and Rawnblade—defeats Gabool and recovers the bell. Astonishing stuff: the by-now expected mixture of clichÇ piled on clichÇ; British music-hall dialects and humor; rhapsodies on raspberries, nuts, and delectable-sounding forest concoctions; characters that epitomize their class origins but sometimes rise above them; and plots from Sabatini by way of Tolkien—all combine in a satisfying ripsnorter of an adventure. Mariel marries Dandin, peace returns to Redwall, and it would be churlish to complain. (Fiction. 9+)

Pub Date: March 25, 1992

ISBN: 0-399-22144-1

Page Count: 400

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1992

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THE GIVER

From the Giver Quartet series , Vol. 1

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...

In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.

As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)

Pub Date: April 1, 1993

ISBN: 978-0-395-64566-6

Page Count: 208

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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