These excerpts from more than 150 of C-SPAN's weekly Booknotes interviews have all the conversational richness of the fabled Paris Review interviews. The informal pleasures of the spoken word distinguish this collection, in which Booknotes host and C-SPAN founder Lamb's questions are omitted, allowing interviewees' voices to take center stage. Unadorned, these authors reveal themselves with honesty and vigor; the interviews, divided into three sections, ``Storytellers,'' ``Reporters,'' and ``Leaders'' (this breakdown isn't as clean as it sounds; the reporters, of course, have plenty of stories to tell in their books, too). Among the best are biographers Stephen Ambrose and Robert D. Richardson Jr., and journalists Neil Sheehan and Stanley Crouch. The selections range from such well-known writers as David Halberstam and David McCullough to such lesser-known figures as Nicholas Basbanes, a chronicler of bibliomaniacs. For numerous reporters the civil rights struggle and the Vietnam war were defining experiences. Richard Nixon talks about the long view of history. Colin Powell describes signing 2,000 to 4,000 of his books at a sitting—one every 2.9 seconds. Doris Kearns Goodwin and John Keegan summarize their longhand writing methods, while Halberstam says using a word processor has probably doubled his productivity. Edmund Morris brazenly chides editors who ``love to obliterate,'' and Paul Kennedy celebrates the care given by his copy editor but laments that once his proofs have been read it's too late to change anything—``you're deep frozen in what you've said.'' Time and again these authors assert that writing is terribly hard work, and rarely fun; many just despise it; only a handful (George Will, famously) dare claim to love it. All would seem to agree with David Hackworth that ``writing a book takes a lot of your life.'' An often riveting insider's perspective on the writing life by some of our foremost authors. (16 pages photos, not seen) (Author tour)
Pub Date: June 1, 1997
ISBN: 0-8129-2847-4
Page Count: 352
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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