An uneven must for fanboys.
In this 23-issue collection produced by a variety of creators (with multimedia material available via app), two of Marvel Comics’ premier superhero teams wrestle for control of a young mutant messiah linked to the infernal Phoenix Force.
As the Avengers track the fiery approach of a nigh-omnipotent cosmic entity known as the Phoenix, they’re surprised to find a matching energy signature already here on Earth, in the X-Men’s island base of Utopia. Years ago, the Phoenix had possessed, corrupted and led to the death of founding X-Men Jean Grey. But feeling he’s matured since his wife’s fatal genocidal turn, Cyclops now plans to harness the Phoenix and restore mutantkind, which had recently been decimated by gone-mad Avenger the Scarlet Witch. The fulcrum of Cyclops’ plan is new pupil Hope Summers, a powerful young mutant with the ability to channel the Phoenix Force. When the Avengers arrive en masse at Utopia, insisting on protective custody for Hope, Cyclops refuses, and the fists, shields, lightning bolts, adamantium claws, repulsor rays and optic blasts fly. The book paints the entire story in broad, workmanlike strokes in 12 straight issues of Avengers vs. X-Men, then punches in texture with six straight issues of AvX:Vs, a series of one-on-one-battle vignettes that roughly follow the main arc’s chronology, featuring standout “How We Roll,” which winningly parodies the whole affair. Ordering the collection by story, not series, would have allowed for a more organic appreciation, as Marvel treads similar ground of morally ambiguous conflict in Civil War (2006). AvX does take an appealing twist, with a handful of X-Men reborn as the Phoenix Five, who rule as benevolent global tyrants. But the Phoenix always goes dark, and the finale marks the apotheosis of Cyclops’ recent trajectory from his stiff and bland original incarnation to flawed and fragile in Morrison’s 2001 New X-Men and, now, to villain, à la Green Lantern in Emerald Twilight (1996). Artist Olivier Copiel, who illustrates a third of the Avengers vs. X-Men issues, stuns with his sleek redesigns of the Phoenix Five X-Men, particularly the avian Cyclops’ Robocop-like visor. The digital material available via Marvel’s Augmented Reality app offer some insider looks, with video creator interviews and animated step-by-step recreations of panels, but it seems underutilized in terms of dynamically connecting the story to the decades of Marvel cannon.
An uneven must for fanboys.Pub Date: April 9, 2013
ISBN: 978-0-7851-6317-6
Page Count: 568
Publisher: Marvel Comics
Review Posted Online: May 3, 2013
Kirkus Reviews Issue: May 15, 2013
Intriguing first novel, by a Miami Herald syndicated ``dating'' columnist, that dances among horror, the occult, and a rational explanation for its weird moments, . At seven, Hilton James found his grandmother Nana dead on the kitchen floor and ran for help. But Nana was up and cooking dinner by the time he returned with help. Then, the next year, Hilton disobeyed Nana while swimming, got caught in the undertow, and was saved from drowning by Nana, who in turn allowed herself to be sucked under. Now, nearing 40, Hilton, an African-American, is head social worker at a Miami recovery center, has married Dede Campbell, the newly elected first black female circuit court judge in Dade County, and has two children. Hilton, however, fears that he's lived 30 years on borrowed time and that that time's up. Clairvoyant events point to Nana's having refused to die because she foresaw Hilton's drowning and stayed alive to save him. As a blind homeless man at the clinic tells him, there is a place between life and death called The Between, where ``travelers'' wait before entering the final door—all this from a blind man who actually died about two hours before Hilton had his talk with him! And what of Hilton's seduction by a supersexy client—a seduction he later finds never took place? Hilton undergoes still more fantasies bordering on virtual reality as, meanwhile, Dede receives racist death threats by mail—threats that, psychically, Hilton sees come from Charles Ray Goode, a released rapist whom Dede once sent to jail. With a psychiatrist, Hilton hashes over ``death cultures'' brought to this country from Africa, but chooses to agree that it's more likely that he's a schizophrenic. Later, Dede throws him out of the house for neglecting his children and physically hurting his son, but takes him back when told of Hilton's seeming illness. Together, they will face the man terrorizing them.... Neatly plotted and smoothly told, with an ending that avoids concrete explanations about Hilton's mental state.
Pub Date: May 1, 1995
ISBN: 0-06-017250-9
Page Count: 288
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
SEEN & HEARD
A lovelorn winemaker’s daughter seeks the right way to crush sour grapes into a winning blend.
Days before her wedding, Georgia’s relationship breaks down. But when she tries to escape home to wine country, she discovers nearly as many fissures in her family.
In the navel-gazing microcosm of California, worlds don’t get much more different than Los Angeles and Sonoma: the former rich in artificial vice, the latter in cultivated flavor. Dave, a seasoned writer of literary romance (The First Husband, 2011, etc.), explores this divide through the eyes of Georgia Ford, a 30-year-old LA–based corporate lawyer on the cusp of marrying her dream guy, Ben. He’s a devastating British architect, of course—rom-coms breed such fellows on a Burberry island somewhere—and his long-ago fling with an equally devastating movie star resulted in a 4-year-old daughter he's just learned about. Cue the devastation for Georgia, who flees up the coast in wedding garb after spying the seemingly happy family walk by during her final dress fitting. Destination: The Last Straw, the idyllic family vineyard in Sebastopol where she grew up with handsome twin brothers and crazy-in-love parents. Unfortunately, the clarity Georgia hopes to find there is quickly marred by everyone else’s problems. Her parents’ marriage is faltering; her feisty brothers are warring over a woman; and, in the deepest cut of all, her dad plans to sell the vineyard that’s always anchored them. As Georgia weighs her ambivalence about Ben, she struggles to understand the parade of relationships blooming and busting around her. Through a series of flashbacks that range from canny to cloying, we learn how the Ford family has reached this collective crisis point. Resolutions arrive slowly and often unexpectedly for each of them, giving this satisfying novel legs.
A lovelorn winemaker’s daughter seeks the right way to crush sour grapes into a winning blend.Pub Date: June 2, 2015
ISBN: 978-1-4767-8925-5
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: March 18, 2015
Kirkus Reviews Issue: April 1, 2015
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