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THE BETWEEN

Intriguing first novel, by a Miami Herald syndicated ``dating'' columnist, that dances among horror, the occult, and a rational explanation for its weird moments, . At seven, Hilton James found his grandmother Nana dead on the kitchen floor and ran for help. But Nana was up and cooking dinner by the time he returned with help. Then, the next year, Hilton disobeyed Nana while swimming, got caught in the undertow, and was saved from drowning by Nana, who in turn allowed herself to be sucked under. Now, nearing 40, Hilton, an African-American, is head social worker at a Miami recovery center, has married Dede Campbell, the newly elected first black female circuit court judge in Dade County, and has two children. Hilton, however, fears that he's lived 30 years on borrowed time and that that time's up. Clairvoyant events point to Nana's having refused to die because she foresaw Hilton's drowning and stayed alive to save him. As a blind homeless man at the clinic tells him, there is a place between life and death called The Between, where ``travelers'' wait before entering the final door—all this from a blind man who actually died about two hours before Hilton had his talk with him! And what of Hilton's seduction by a supersexy client—a seduction he later finds never took place? Hilton undergoes still more fantasies bordering on virtual reality as, meanwhile, Dede receives racist death threats by mail—threats that, psychically, Hilton sees come from Charles Ray Goode, a released rapist whom Dede once sent to jail. With a psychiatrist, Hilton hashes over ``death cultures'' brought to this country from Africa, but chooses to agree that it's more likely that he's a schizophrenic. Later, Dede throws him out of the house for neglecting his children and physically hurting his son, but takes him back when told of Hilton's seeming illness. Together, they will face the man terrorizing them.... Neatly plotted and smoothly told, with an ending that avoids concrete explanations about Hilton's mental state.

Pub Date: May 1, 1995

ISBN: 0-06-017250-9

Page Count: 288

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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