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BILONGO

An entertaining magical-realist tale of a marriage threatened by an infidelity.

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Two women fight over a man by slightly supernatural means in this novel about bad relationships.

Brewer’s tale triangulates Rawley Aimes, the first mate on an oil tanker; his wife, Marina, a pulchritudinous architect in Rio de Janeiro; and his lover, Lil, the ship’s cook, a blowsy redhead who holds him in erotic thrall. Marina pines for Rawley while he’s at sea but is beset by visions of him copulating sweatily with Lil and reading erotic poetry to her. When Rawley returns to Rio on shore leave, Marina plies him with food and sex. But Rawley, drunk, dejected, and mesmerized by a vision of Lil undergoing a Santeria ritual, tells the distraught Marina that he wants a divorce. His resolve is complicated yet not deterred when he swims to an isolated beach and meets Sibele, a teenager who reads his fortune from tarot cards and tells him that things probably won’t work out with Lil but that Marina will take him back. Rawley jets off to a vacation with Lil in Costa Rica, and she indeed proves to be a handful. She’s hypersexual but also grumpy, soused, and enraged by the rainy weather. Things seem to improve when the sun returns, but then Rawley abruptly dumps Lil in a scene that plays out in alternating bouts of tearful recrimination, histrionic guilt, and sex. Marina welcomes Rawley back as predicted, but once in Rio, he lapses into his old funk, drinking and dreaming of Lil. When Lil calls, he promises to return to her. At wits’ end, Marina hires a seer who tells fortunes from random Bible verses. The psychic senses a malevolent presence in the apartment and, when Rawley’s reading is unusually morbid, hints that witchcraft may be afoot.

Brewer’s yarn features tense domestic drama, lurid rites, vividly atmospheric writing—“A blood red moon hung heavy in the lower sky above the waves, rheumy and dull, like the eye of a killer”—and some well-wrought action set pieces, like an attempted rescue at sea during a raging storm. (“The lifeboat groaned and popped under the strain and visibly bowed between the two logs, which worked to stove it in. The rescuers watched in horror as blood began to pour from the little man’s nose and mouth and as his determined look turned to resignation.”) The sex scenes can feel overblown—“He entered her with force and thrust with the power of the booming ocean, pulling her hair across her back like the guiding mane of an unbridled horse.” But when the carnal thunder subsides, Brewer’s shrewdly observant prose ably conveys the ways relationships go sour through subtle details of bickering and body language (“Marina leaned across and hugged him to her hard, then kissed him long and passionately. His hands hovered just off her back and patted her softly now and then”). The character studies are sharply etched and realistic—so much so that they make painfully clear why all the players ought to abandon one another. Marina’s clingy oversolicitousness is suffocating; Lil’s volatility and peevishness are exhausting; and Rawley’s diffident refusal to commit—“I don’t know” is his mealy mouthed refrain—is infuriating. Readers may conclude that no amount of sorcery can or should keep any of them together.

An entertaining magical-realist tale of a marriage threatened by an infidelity.

Pub Date: July 22, 2021

ISBN: 978-1-955955-45-4

Page Count: 230

Publisher: Goldtouch Press, LLC

Review Posted Online: Dec. 7, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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THE LOVE HYPOTHESIS

Fresh and upbeat, though not without flaws.

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An earnest grad student and a faculty member with a bit of a jerkish reputation concoct a fake dating scheme in this nerdy, STEM-filled contemporary romance.

Olive Smith and professor Adam Carlsen first met in the bathroom of Adam's lab. Olive wore expired contact lenses, reducing her eyes to temporary tears, while Adam just needed to dispose of a solution. It's a memory that only one of them has held onto. Now, nearly three years later, Olive is fully committed to her research in pancreatic cancer at Stanford University's biology department. As a faculty member, Adam's reputation precedes him, since he's made many students cry or drop their programs entirely with his bluntness. When Olive needs her best friend, Anh, to think she's dating someone so Anh will feel more comfortable getting involved with Olive's barely-an-ex, Jeremy, she impulsively kisses Adam, who happens to be standing there when Anh walks by. But rumors start to spread, and the one-time kiss morphs into a fake relationship, especially as Adam sees there's a benefit for him. The university is withholding funds for Adam's research out of fear that he'll leave for a better position elsewhere. If he puts down more roots by getting involved with someone, his research funds could be released at the next budgeting meeting in about a month's time. After setting a few ground rules, Adam and Olive agree that come the end of September, they'll part ways, having gotten what they need from their arrangement. Hazelwood has a keen understanding of romance tropes and puts them to good use—in addition to fake dating, Olive and Adam are an opposites-attract pairing with their sunny and grumpy personalities—but there are a couple of weaknesses in this debut novel. Hazelwood manages to sidestep a lot of the complicated power dynamics of a student-faculty romance by putting Olive and Adam in different departments, but the impetus for their fake relationship has much higher stakes for Adam. Olive does reap the benefits of dating a faculty member, but in the end, she's still the one seemingly punished or taunted by her colleagues; readers may have been hoping for a more subversive twist. For a first novel, there's plenty of shine here, with clear signs that Hazelwood feels completely comfortable with happily-ever-afters.

Fresh and upbeat, though not without flaws.

Pub Date: Sept. 14, 2021

ISBN: 978-0-593-33682-3

Page Count: 384

Publisher: Berkley

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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LOOK WHAT THE CAT DRAGGED IN

For readers who like their fun laced with skin-crawling weirdness.

A comic-strip artist loses first her cat and then, possibly, her mind.

Working with artists Horner and Staehle, as he did for Hidden Pictures (2022), Rekulak uses illustrations to support a paranormal thriller plot. Penny Padgett, a 27-year-old cartoonist living in Philadelphia, has published three beloved graphic novels about her life with her cat, Popcorn, and is working on a fourth when Popcorn darts out the window during a snowstorm and disappears. When all efforts to locate him fail, Penny spirals into unproductive despair. Her live-in boyfriend, Dean Everhardt, who works in finance, insists she accompany him to a cocktail party at the Brandywine Valley estate of his most important client, Evelyn Bruehl. At the party, Penny hears mewing that at first she’s sure must be Popcorn, but which turns out to be a very different cat named Godfrey. Godfrey immediately attaches himself to Penny, and when Evelyn—who’s about to take an extended trip to Europe—asks her to cat-sit, Dean pressures her to agree. Though at first Godfrey’s presence helps Penny break through her writer’s block, she’s completely disgusted by his custom-made food, which is delivered by his equally repugnant private veterinarian. And then something very strange starts happening to her artwork, which is suddenly filled with macabre and demonic imagery she can’t remember producing. Also, she’s losing weight and something terrible is happening to her skin. At this point the plot pivots into full-on horror, with a disgusting infestation of giant beetles and revolting odors taking over Penny’s house and a horrific murder next door. Penny finds some clues about what’s happening in a biography of Evelyn Bruehl’s grandfather, illustrator Barnabas Godfrey—the cat’s namesake. The 80-plus pages of illustrations include both Penny’s comic panels and Barnabas’ 19th-century images, the latter also filled with hints of what will emerge in the dramatic, screamworthy climax.

For readers who like their fun laced with skin-crawling weirdness.

Pub Date: Oct. 13, 2026

ISBN: 9781250895875

Page Count: 352

Publisher: Flatiron Books

Review Posted Online: Aug. 3, 2026

Kirkus Reviews Issue: Sept. 1, 2026

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