A moving and perceptive story about a man losing everything and finding a new life in Mexico.
In Brewer’s luminous novel, a vacationing couple in Mexico encounters much more than they expected.
Americans Bob and Kathy take a vacation in Mexico, seeing the sights and cavorting in the clear waters. Bob is an underwriter at Midland Mutual and Casualty Insurance Corporation (where Kathy is a secretary), and they use their time in Mexico as a refuge from the ugliness of Bob’s pending divorce from his wife, Carol. But that outside world interferes anyway when Bob learns that his divorce is going to gut him financially (“It’s the best deal you can possibly get,” he’s told). There’s low-key tension between Bob and Kathy—he constantly urges her to undertake tourist excursions as she tries to hold him back from his adventurous impulses—and as these conflicts grow more pronounced, Bob’s inner world begins to unravel as he starts to feel both desperately hopeless and strangely liberated. The quality of his thoughts changes, going from quotidian to cosmic: “Isn’t everyone a victim in the end, a sacrifice to sate the awful power that suffocates and drowns?” he wonders. “Who could escape it?” With judicious restraint, the author slowly and carefully conveys this personal change in Bob as the parti-colored oblivious world continues all around him. Key to his transformation is a 9-year-old boy named Tomcruise Chel Ochoa (his first name is the result of his mother, Dolores, christening him after the actor; his middle name is a reference to the Chel people, who are descendants of the Diving God, a figure from ancient Mayan mythology). Tomcruise wants Bob to teach him how to dive, and by steady measures, limned with deep sensitivity by Brewer, the boy draws Bob into his world and opens him to the possibility of a new life, “the chance to be better than he was and, for once, the chance to be of worth to someone—and to himself.” This story of personal reinvention is well crafted and often beautifully written, in the vein of Somerset Maugham and Graham Greene.
A moving and perceptive story about a man losing everything and finding a new life in Mexico.Pub Date: Aug. 27, 2023
ISBN: 9798369405901
Page Count: 214
Publisher: Xlibris US
Review Posted Online: March 11, 2024
Kirkus Reviews Issue: May 1, 2024
Review Program: Kirkus Indie
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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