Alternative-history vampire science/fantasy by Stableford (The Third Millennium, 1985), a novelist with degrees in biology and sociology. Stableford details the sociobiology of vampires with a fineness that puts top vampirist Anne Rice in the shade as a cultural chronicler. His story largely is laid three centuries ago in England when the civilized world, led out of the Dark Ages by the rise of vampires, is governed by an aristocracy of vampires who rule by fear. Vampires seemingly cannot love or feel pain; females are barren, and males have a low sex drive. They feed on—and draw their number from—common men. But how do the vampires reproduce from the commoners? This question haunts Edmund Cordery, courtier to Richard the Lion-Hearted (a vampire, of course), who has just devised a microscope that reveals the small world of microbes that he thinks can help overthrow vampire rule if the spermatic base of vampirism can be found. When Edmund kills a lady vampire by purposefully inoculating himself with the black plague before she drinks his blood, his son Neil—a budding social revolutionary- -flees England, seeking the microbial code. Neil knows vampires don't pass on their ``emortality'' by magic—it's something to do with their blood. He joins a pirate band and goes to Africa, fabled homeland of vampires, and in the wonderfully described Uruba tribe finds himself in vampire paradise where the biology of vampirism is at last revealed. An asteroid ages ago struck here, carrying on it ``the breath of life''—emortality microbes, which are now carried in vampire semen, which in turn must be applied to an open wound to be effective.... After the huge vampire battle of the Spanish Armada, the story leaps three centuries ahead for a brief look into modern worldwide emortality as analyzed by microbiologist Michael Southerne, who has Cordery's Syndrome (he must die, never emortal, because his blood resists vampire microbes). Terrific vampire fiction, with well-humanized puppet characters.
Pub Date: Sept. 15, 1991
ISBN: 0-88184-742-9
Page Count: 400
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1991
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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