Brutal, intriguing and continuing to head toward exciting events and places unknown.
The heirs of the murdered Annurian Emperor Sanlitun take separate paths toward uncovering and defeating the coup that toppled their father in this sequel to The Emperor’s Blades (2014).
Kaden, the uncrowned emperor tutored as a monk, vainly seeks answers and aid from the Ishien, a vicious cult devoted to defeating the immortal, emotionless Csestriim who are apparently at the heart of the conspiracy. Kaden’s younger brother, Valyn, and his band of elite warriors struggle across the steppe toward the imperial seat at Annur, only to encounter a vast army of the nomadic Urghul, seemingly poised to invade. And the dead emperor’s eldest, Princess Adare, having discovered the true assassin of her father—the Empire’s regent, head general and her lover, Ran il Tornja—attempts to secure her own army, that of the fanatic worshipers of the goddess Intarra. At every juncture, the siblings confront constantly shifting truths concerning why their father died and who deserves their trust. Following in the footsteps of George R.R. Martin, Joe Abercrombie and the like, Staveley doesn’t hesitate to treat his protagonists harshly, subjecting them to utter privation and pain, devastating betrayals and the vast uncertainty that results when long-distance communication between potential allies is impossible (ah, for the magical equivalent of a cellphone!). But none of this feels gratuitous; all is in the service of the series plot, which remains gloriously unpredictable, although it’s at least clear by the end of this installment that an affectionate reunion among the three imperial siblings has been ruled out.
Brutal, intriguing and continuing to head toward exciting events and places unknown.Pub Date: Jan. 13, 2015
ISBN: 978-0-7653-3641-5
Page Count: 576
Publisher: Tor
Review Posted Online: Dec. 6, 2014
Kirkus Reviews Issue: Dec. 15, 2014
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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