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THE LAST MORTAL BOND

From the Chronicle of the Unhewn Throne series , Vol. 3

A deeply satisfying but bleak, dark work; its only illumination are flashes of high tragedy and perhaps the glimmers of a...

Humanity teeters toward doom in the concluding Chronicle of the Unhewn Throne (The Providence of Fire, 2015, etc.).

The invading Urghul army nears the heart of the crumbling Annurian empire, led by Long Fist, the human host of Meshkent, the god of pain. The Annurian general, Ran il Tornja, appears to be defending the empire, but his main goal is to kill both Long Fist and the courtesan Triste, the human host of Ciena, goddess of pleasure. Doing so will exterminate most of humanity while potentially converting the remainder to il Tornja’s own kind, the long-lived, emotionless Csestriim. Kaden, the abdicated emperor, abandons his ineffectual attempts at politics and devotes himself to protecting Meshkent and Ciena’s hosts. His sister, Adare, the self-declared new emperor, rallies Annur’s defenses and tries to defuse the plots of il Tornja, her baby’s father. Her brother Valyn, betrayed by Adare and blinded by il Tornja, searches both for a purpose and the death of Balendin, Long Fist’s deputy, a leach whose magical power feeds on pain and terror. Many classic epic fantasies have concluded with the defeat of the Big Bad, followed by the wiping away of pain and terror and the start of a glorious, happy future for the hero. This novel lays out a much more plausible truth: it’s difficult forging a future on a nation ruined by war and civil unrest; the past’s consequences persist. No one is wholly good or wholly bad, and sometimes, even when protagonists have reached the very limits of their strength to earn their happy endings, there is no happy ending available, no matter how deserving they are of such a thing.

A deeply satisfying but bleak, dark work; its only illumination are flashes of high tragedy and perhaps the glimmers of a realistic but not far-ranging hope.

Pub Date: March 15, 2016

ISBN: 978-0-7653-3642-2

Page Count: 656

Publisher: Tor

Review Posted Online: Jan. 9, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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THE GRACE OF KINGS

From the Dandelion Dynasty series , Vol. 1

A reasonable start, on the whole; let’s see where the series goes.

Liu’s stories have won most major critical science-fiction and fantasy awards. His first novel, inspired by the civil chaos stemming from the death of China’s first emperor, is poised to break him out to a more commercial audience.

The island nations of Dara only ceased warring with one another when King Réon of Xana conquered them and united them into an empire. But now the emperor is dead; his young, spoiled heir actively avoids ruling, and his power-hungry advisers are not up to the task, either. Old rivalries stir as various rebellions spring up. Chief among the rebels are two men of the old kingdom of Cocru: the sneaky, clever commoner-turned–able politician Kuni Garu and the deposed noble Mata Zyndu, an 8-foot-tall, double-pupiled warrior who values honor above all else. At first, Kuni and Mata are like brothers, but their ideological differences soon drive them apart. The epic fantasy genre can only be enriched by more novels drawing from non-Western traditions. Liu’s ambitious work expertly blends mythology, history, military tactics, and technological innovation (airships and submarines). There are plenty of excellent action scenes—the scene in which Kuni and his allies employ horned, scaled whales to attack an armada is particularly enjoyable. However, Liu’s characters could use a bit more texture; at times, they seem little more than puppets manipulated by Dara’s gods—or perhaps by the author: the novel is a door-stopper of an argument for the value of brains over brawn and flexible thinking over hidebound tradition. Liu’s plotting can also appear a bit thin and contrived; the outcomes of too many key battles hinge on one side contemptuously underestimating the other. Perhaps history bears Liu out on this point, but it doesn't make for convincing fiction.

A reasonable start, on the whole; let’s see where the series goes.

Pub Date: April 7, 2015

ISBN: 978-1-4814-2427-1

Page Count: 640

Publisher: Saga/Simon & Schuster

Review Posted Online: April 8, 2015

Kirkus Reviews Issue: April 1, 2015

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A KNIGHT OF THE SEVEN KINGDOMS

As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in...

Huzzah! Martin (The Ice Dragon, 2014, etc.) delivers just what fans have been waiting for: stirring tales of the founding of the Targaryen line.

Duncan—Dunk for short—has his hapless moments. He’s big, nearly gigantic, “hugely tall for his age, a shambling, shaggy, big-boned boy of sixteen or seventeen.” Uncertain of himself, clumsy, and alone in the world, he has every one of the makings of a hero, if only events will turn in that direction. They do, courtesy of a tiny boy who steals into the “hedge knight” Dunk’s life and eventually reveals a name to match that of Ser Duncan the Tall—an altogether better name, at that, than Duncan of Flea Bottom would have been. Egg, as the squire calls himself, has a strange light about him, as if he will be destined to go on to better things, as indeed he will. Reminiscent of a simpler Arthur Rackham, the illustrations capture that light, as they do the growing friendship between Dunk and Egg—think Manute Bol and Muggsy Bogues, if your knowledge of basketball matches your interest in fantasy. This being Martin, that friendship will not be without its fraught moments, its dangers and double crosses and knightly politics. There are plenty of goopily violent episodes as well, from jousts (“this time Lord Leo Tyrell aimed his point so expertly he ripped the Grey Lion’s helm cleanly off his head”) to medieval torture (“Egg…used the hat to fan away the flies. There were hundreds crawling on the dead men, and more drifting lazily through the still, hot air.”). Throughout, Martin delivers thoughtful foreshadowing of the themes and lineages that will populate his Ice and Fire series, in which Egg, it turns out, is much less fragile than he seems.

As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more—and with luck, Martin will oblige them with more of these early yarns.

Pub Date: Oct. 6, 2015

ISBN: 978-0-345-53348-7

Page Count: 368

Publisher: Bantam

Review Posted Online: Oct. 6, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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