An occasionally muddled, overambitious foray into an X-Men–like universe.
Kids the system has given up on acquire power of their own in Thompson’s (The Anarchists, 2012, etc.) YA debut sci-fi thriller, the first in a series set among students at an alternative high school.
Jason Champion suffers from ADHD and rage blackouts. After he breaks a student’s jaw in a fight he doesn’t remember, he lands at Regional Education and Guidance Collective Training high school for the last two weeks of his freshman year. R.E.G.C.T., colloquially known as “Reject High,” is a dumping ground for students the district would prefer to forget; having just reopened after a student’s on-site suicide, the school’s slated for demolition during the summer. Jason strikes up a friendship with goth girl Rhapsody Lowe. While playing hooky in the same restroom where Cherish Watkins killed herself, they’re almost caught by an armed Student Resource officer who patrols the halls. In fact, they should have been caught—Jason knows the cop looked right at him but didn’t seem to see him. Mystified, he grills Rhapsody as they serve detention together for kissing in the cafeteria. She reveals that she has powers of invisibility, thanks to a bright green crystal found in the school’s basement. When she gives Jason a prism made of the same material, he develops powers of his own: superhuman strength and incredible jumping ability. Soon, they’re pursued by unknown adversaries who want to protect “the source.” Thompson attempts to address serious issues, such as mental illness, bullying and victim-blaming (Jason’s love interest, Sasha, was kicked out of her previous school because a boyfriend taped them having sex and circulated it online), but the book’s overextended breadth doesn’t suit the story well. However, once the superpowers and villainous conspiracies show up, these topics fade into the background in favor of chase scenes and portentous bad-guy speeches. Still, it’s refreshing to read a YA novel with main characters of color whose race isn’t the focus. Though little is wrapped up in this entry in the series, potential remains for later books to better develop the lore of the strange crystals.
An occasionally muddled, overambitious foray into an X-Men–like universe.Pub Date: June 13, 2013
ISBN: 978-0989105606
Page Count: 270
Publisher: Great Nation Publishing
Review Posted Online: June 1, 2013
Review Program: Kirkus Indie
BOOK REVIEW
A tender bedtime tale set in a too-seldom-seen northern world.
A quiet book for putting young children to bed in a state of snowy wonder.
The magic of the north comes alive in a picture book featuring Inuit characters. In the sky at nighttime, snow falls fast. / … / In the sky at nighttime, a raven roosts atop a tall building. / … / In the sky at nighttime, a mother’s delicate song to her child arises like a gentle breeze.” With the repetition of the simple, titular refrain, the author envisions what happens in a small town at night: Young children see their breath in the cold; a hunter returns on his snowmobile; the stars dazzle in the night sky. A young mother rocks her baby to sleep with a song and puts the tot down with a trio of stuffed animals: hare, polar bear, seal. The picture book evokes a feeling of peace as the street lamps, northern lights, and moon illuminate the snow. The illustrations are noteworthy for the way they meld the old world with what it looks like to be a modern Indigenous person: A sled dog and fur-lined parkas combine easily with the frame houses, a pickup truck, power lines, and mobile-hung crib. By introducing Indigenous characters in an unremarkably familiar setting, the book reaches children who don’t always see themselves in an everyday context.
A tender bedtime tale set in a too-seldom-seen northern world. (Picture book. 3-5)Pub Date: Oct. 1, 2019
ISBN: 978-1-77227-238-3
Page Count: 36
Publisher: Inhabit Media
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
