by Brian W. Robinson ‧ RELEASE DATE: Aug. 10, 2023
A charming yet chilling skewering of the tech industry that, like all good satire, is one click away from horror.
Awards & Accolades
Our Verdict
GET IT
Robinson’s novel traces a man’s path through a failing tech company that resembles real-life industry news.
Glenn Cregg, senior manager of marketing insights at his company, has a new motto: “Being objective makes me effective.” It’s drivel, but drivel gets you a long way at Boing;), the legacy tech company for whom Glenn provides his marketing insights. Glenn, self-identified as one of those who Gets It, is a true believer in the power, legacy, and potential of the flailing Boing;), an obvious amalgamation of several real-life tech companies that most resembles late-stage Yahoo! in its inane punctuation and unclear business strategy. When Glenn wins a corporate Rockstar Award, he has the opportunity for a special coffee meeting with boss Darryl, an exhausting soi-disant luminary who speaks in cliches and co-opted Black slang. At this seminal caffeination event, Glenn distracts Darryl from aligning the company with a soft-porn juggernaut to pitch his great strategy to revive Boing;): streaming music. Glenn then has to shepherd his idea through a labors of Hercules–like gauntlet of foolish and self-important co-workers, all while managing the iffy mental health and career development of his sole direct report, Jocelyn, who recently collapsed at her desk near an open bottle of pills. To cap it all, an external threat looms: the gimlet gaze of Marian Sallowaskky, a delightfully venomous tech reporter who dominates the ever-fertile “Boing;) is dying” beat.
This book is a gem. The author has set himself the difficult task of writing what is effectively a recent-past historical novel, the early-2010s “Web 2.0” culture many of his readers will remember. His deep knowledge of (and healthy contempt for) the ritualized self-congratulation of corporate America that reaches its fullest expression in tech means every page has an honest laugh line. Glenn is both caricature and Everyman. He’s credulous, well intentioned, and hilariously literal-minded and exists somewhere between the so-called good German and a simple moralistic fool. He always wants to do the right thing, but fatally, he thinks his interests and those of Boing;) align. A particularly delightful example occurs when do-right Glenn stands up to the temptation of an attractive co-worker, allowing Robinson to repurpose the trope of “men writing women’s bodies” to comedic effect: “She had breasts. Definitely breasts you were aware of; she regularly displayed, tastefully, a hint of cleavage, as a little reminder: ‘Breasts are here.’” The action stalls a bit in the middle third—there’s only so much excitement you can generate in an office building—but Robinson’s giggle-worthy prose carries readers through this minor pacing problem with ease. The ending hits the right notes, genuine and ludicrous in a way that allows the reader to leave Glenn feeling that his story has been told. Anyone who’s ever held a corporate job, gritted their teeth through a team-building exercise, or asked themselves who at a tech company would have greenlit such a user-unfriendly experience will enjoy this takedown. Yet readers calling for the guillotine for these tech bros will have to wait for a sharper pen for catharsis: Robinson knows his target too well to imagine real change.
A charming yet chilling skewering of the tech industry that, like all good satire, is one click away from horror.Pub Date: Aug. 10, 2023
ISBN: 9798218243302
Page Count: 210
Publisher: Self
Review Posted Online: Aug. 10, 2026
Kirkus Reviews Issue: Nov. 1, 2026
Review Program: Kirkus Indie
Share your opinion of this book
by Barbara Kingsolver ‧ RELEASE DATE: Oct. 6, 2026
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Share your opinion of this book
More by Barbara Kingsolver
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
More About This Book
SEEN & HEARD
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Awards & Accolades
Likes
238
Our Verdict
GET IT
New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Share your opinion of this book
More by Kathryn Stockett
BOOK REVIEW
More About This Book
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.