A fair wealth of good information too often obscured by what feels like a desperate need to be liked.
A dozen vest-pocket profiles of notorious fugitives—good, bad, and, in the case of Typhoid Mary, ugly.
“If you’re going to change the world, you better be good at running and hiding,” writes DuMont at the start of this uneven collection of bold outlaws. Most of the characters are well-known figures—Cleopatra, Harriet Tubman, John Dillinger, Nelson Mandela—but there are also a handful of lesser-known but serious rabble-rousers: Koxinga (who hoped to restore the Ming dynasty from the Manchus), suffragist Emmeline Pankhurst, and Virginia Hall, who spied for the Allies during World War II. DuMont neatly notes the historical significance of these outlaws, and there is an entertaining collection of artwork to complement the text. But the title of the book gives away its weakness: DuMont overdoes it trying to be chums with her audience. “Spartacus and his new BFF, Crixus,” is typical, as is mention of Cleopatra’s “bling” or “Legend has it that [Martin] Luther was on the toilet when he had his ‘aha’ moment....Instead of stinking up the place for the next thirty minutes, he got to thinking.” It is not just that this approach is pandering, but it removes the subjects from the times in which they lived, thus failing to conjure distinct images about the characters in their particular surrounds.
A fair wealth of good information too often obscured by what feels like a desperate need to be liked. (Collective biography. 9-12)Pub Date: Jan. 5, 2016
ISBN: 978-1-63220-412-7
Page Count: 160
Publisher: Sky Pony Press
Review Posted Online: Oct. 18, 2015
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Bial (A Handful of Dirt, p. 299, etc.) conjures up ghostly images of the Wild West with atmospheric photos of weathered clapboard and a tally of evocative names: Tombstone, Deadwood, Goldfield, Progress, Calamity Jane, Wild Bill Hickock, the OK Corral. Tracing the life cycle of the estimated 30,000 ghost towns (nearly 1300 in Utah alone), he captures some echo of their bustling, rough-and-tumble past with passages from contemporary observers like Mark Twain: “If a man wanted a fight on his hands without any annoying delay, all he had to do was appear in public in a white shirt or stove-pipe hat, and he would be accommodated.” Among shots of run-down mining works, dusty, deserted streets, and dark eaves silhouetted against evening skies, Bial intersperses 19th-century photos and prints for contrast, plus an occasional portrait of a grizzled modern resident. He suggests another sort of resident too: “At night that plaintive hoo-hoo may be an owl nesting in a nearby saguaro cactus—or the moaning of a restless ghost up in the graveyard.” Children seeking a sense of this partly mythic time and place in American history, or just a delicious shiver, will linger over his tribute. (bibliography) (Nonfiction. 9-11)
Pub Date: Feb. 1, 2001
ISBN: 0-618-06557-1
Page Count: 48
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
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