A coddled French bulldog rules her household like a queen until a baby arrives in the family.
An extended textual metaphor of a pampered pooch as a royal character is the premise of this cleverly constructed but predictable story. The dog is treated like a princess as a puppy and receives the name Queen Dog along with a crown and a ruffled Elizabethan collar. The text describes the dog’s behavior as events in a royal household, while the illustrations show corresponding scenes in modern settings. For example, leading “her people on quests for great treasure” shows the dog chasing a garbage truck, and organizing “royal hunts” depicts Queen Dog chasing a squirrel. The dog’s white owners are her servants, until a small “visitor” (also white) arrives, and Queen Dog’s world changes. At first the dog is jealous of the new addition to the household, but eventually Queen Dog becomes protective of the new “princess-in-training,” as well as her loyal friend. The story keys in to the popular princess theme with the baby’s name: Princess Catherine (as in the Duchess of Cambridge). Cheery illustrations in a pastel palette have a greeting-card prettiness tailored for younger preschool-age children. However, the nuances of the dog-as-queen metaphor require an understanding of historical royal life beyond the background knowledge of the intended audience, and the capacity to follow the intended disparity between text and illustrations is a sophisticated one.
This offers lots of commercial appeal with a clever text, polished illustrations, a princess in pink, and a cuddly-cute dog, but the overall effort is forgettable. (Picture book. 4-6)Pub Date: Jan. 3, 2017
ISBN: 978-1-4847-2852-9
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: Oct. 25, 2016
Kirkus Reviews Issue: Nov. 15, 2016
Categories: CHILDREN'S ANIMALS | CHILDREN'S FAMILY
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Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
Categories: CHILDREN'S ANIMALS | CHILDREN'S HEALTH & DAILY LIVING
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.
The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.
Too many bugs, figuratively. (Picture book. 4-6)Pub Date: Nov. 10, 2015
ISBN: 978-84-16147-00-7
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
Categories: CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES
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