Though Philip Pullman did it earlier and funnier with I Was a Rat! (2000), this take still feels fresh enough, despite...
A new “Cinderella” retelling includes the perspective of a rat living in her home.
Chapters alternate narration between Char, the titular Rat Prince, and Cinderella. Though Char initially believes Cinderella is an idiot, allowing abuse from her stepmother and stepsister, it’s soon apparent to him and to readers that Cinderella is shrewd and biding her time. When Char discovers that Cinderella is to attend a royal ball where the human prince will choose a bride, he investigates at the palace, hoping to learn that the prince is worthy of her (he’s not). Meanwhile, Cinderella unwittingly summons her family’s goddess, who plays the fairy-godmother role, with Char arriving on scene just in time to be transformed into a human footman. Much occurs in the short span of hours of the ball, including Cinderella’s falling in love with the transformed Char (almost instantly) and the goddess playing deus ex machina, fixing all problems (save one) in a fairy-tale–tidy ending. The cover illustration of Char, a black rat (Cinderella calls him “Blackie”), is lit in such a way that readers may mistakenly perceive light fur; Cinderella’s lovingly described physical attributes—her blonde hair, pale skin, and oft-praised “tiny” waist—play into tired and damaging tropes. Still, Cinderella is fairly empowered for a damsel in distress.
Though Philip Pullman did it earlier and funnier with I Was a Rat! (2000), this take still feels fresh enough, despite misgivings. (Fantasy. 10-14)Pub Date: Aug. 23, 2016
ISBN: 978-0-374-30213-9
Page Count: 272
Publisher: Margaret Ferguson/Farrar, Straus & Giroux
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Tales that “lay out your options for painful and interesting ways to die.” And to live.
In a similarly hefty companion to Percy Jackson’s Greek Gods (2014), the most voluble of Poseidon’s many sons dishes on a dozen more ancient relatives and fellow demigods.
Riordan averts his young yarn spinner’s eyes from the sex but not the stupidity, violence, malice, or bad choices that drive so many of the old tales. He leavens full, refreshingly tart accounts of the ups and downs of such higher-profile heroes as Theseus, Orpheus, Hercules, and Jason with the lesser-known but often equally awesome exploits of such butt-kicking ladies as Atalanta, Otrera (the first Amazon), and lion-wrestling Cyrene. In thought-provoking contrast, Psyche comes off as no less heroic, even though her story is less about general slaughter than the tough “Iron Housewives quests” Aphrodite forces her to undertake to rescue her beloved Eros. Furthermore, along with snarky chapter heads (“Phaethon Fails Driver’s Ed”), the contemporary labor includes references to Jay-Z, Apple Maps, god-to-god texting, and the like—not to mention the way the narrator makes fun of hard-to-pronounce names and points up such character flaws as ADHD (Theseus) and anger management issues (Hercules). The breezy treatment effectively blows off at least some of the dust obscuring the timeless themes in each hero’s career. In Rocco’s melodramatically murky illustrations, men and women alike display rippling thews and plenty of skin as they battle ravening monsters.
Tales that “lay out your options for painful and interesting ways to die.” And to live. (maps, index) (Mythology. 10-14)Pub Date: Aug. 18, 2015
ISBN: 978-1-4231-8365-5
Page Count: 416
Publisher: Disney-Hyperion
Review Posted Online: July 21, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
