A believable and beautiful human story.
Dylan is a white 15-year-old who’s 6-foot-4 and covered in hair. His nickname is Beast, and the only reason he’s not completely overwhelmed by rejection in high school is because of JP, his popular, rich, attractive childhood best friend.
It’s Dylan’s dream to be a Rhodes scholar, and he’s got the grades for it, but the world assumes he’s a big, dumb football player. After a rough day at school, he falls off of a roof and breaks his leg. He’s assigned to therapy for self-harmers, where he meets Jamie, taking note of her long legs, curly brown hair, creamy skin, and tendency to call him out. Through texts and sneaky outings, they gradually fall for each other. JP gets weird on meeting Jamie, which makes her think he’s not OK with her being transgender. Dylan ices over, shocked—she’d revealed that fact on the first day of group therapy, but he hadn’t been paying attention. Humiliated and angry, she runs. After some bad starts and interventions, they try to be friends again, honestly and openly. Writing smartly in Dylan’s voice, Spangler artfully represents both main characters: the boy who feels like a freak and the witty, imperfect, wise trans girl he loves. Very lightly borrowing on the classic fairy tale, she allows them to fail and succeed without resorting to paper villains or violent plot points to manipulate compassion.
A believable and beautiful human story. (Fiction. 12 & up)Pub Date: Oct. 11, 2016
ISBN: 978-1-101-93716-7
Page Count: 336
Publisher: Knopf
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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