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WELCOME FLOWER CHILD

THE MAGIC OF YOUR BIRTH FLOWER

So-so verse but a warming message for the heart and a feast for the eyes.

A monthly party of positivity hosted by garden fairies.

This book’s dedication sets the positive tone: “Every child is a different kind of flower, and all together make this world a beautiful garden.” Anchoring the title page, fanciful winged garden fairies parade the flowers to be highlighted in the ensuing text. Most are familiar (daffodil, rose, poppy, etc.), but the list doesn’t seem to duplicate any standard list of birth months and flowers. Within, each double-page spread contains a four-line verse with an encouraging message for that month. “December: Poinsettia / December’s flowers are vibrant and strong. / They raise our spirits like a song. / Your sweetness and courage are a gift / that gives our hearts a cheerful lift.” The verse is singsong-y, with the occasional metrical stumble and more than occasional cliché. The real joy of this book is the illustrations, with colors as vibrant as a brilliant sunset. Garden snapshots pop against lighter backgrounds. Close inspection of the illustrations will reveal garden fairies, moths, and butterflies. The most observant readers will also spot a mouse, a spider, ladybugs, caterpillars, and dragonflies. (This book was reviewed digitally with 9.5-by-19-inch double-page spreads viewed at 39.9% of actual size.)

So-so verse but a warming message for the heart and a feast for the eyes. (Picture book. 4-7)

Pub Date: Jan. 5, 2021

ISBN: 978-1-984830-39-5

Page Count: 42

Publisher: Random House

Review Posted Online: Oct. 26, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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