An absorbing, well-crafted profile of a supremely gifted writer.
An illuminating portrait of the esteemed Australian-born fiction writer and essayist.
With her early fiction in the 1960s and ’70s, Shirley Hazzard (1931-2016) was quickly recognized as a prose stylist of distinctive intelligence and insight. In 1980, The Transit of Venus firmly secured her standing, in particular among other writers; more than 20 years later, The Great Fire won the National Book Award and garnered her a new readership. In this scrupulously researched biography, Olubas, an English professor at the University of New South Wales and editor of two volumes of Hazzard’s work, charts the meandering course of Hazzard’s life and travels, drawing on events and impressions that would inform much of her writing. The author begins with Hazzard’s early years growing up in Sydney and moves through her experiences as a teen living in Hong Kong and her family’s move to New York City, where, at age 20, she landed a job at the United Nations. Working as a Secretariat typist for the next 10 years, she gathered critical insights into the organization, which she would use in her later nonfiction work. Throughout these early years, Hazzard also had a series of love affairs, adding further grist for her fiction. Olubas describes Hazzard’s journey as a process of self-invention, noting how “she embarked early on a project of self-cultivation and self-creation through extensive and passionate reading. Throughout her adult life she mixed in elevated cultural circles, seeking out people to admire and learn from.” One of those people was Francis Steegmuller, with whom she shared a long, satisfying marriage. They traveled extensively and kept homes in New York and Capri, and though her reputation within the literary community was well established, upon her marriage, that influential circle expanded further. Olubas provides numerous anecdotes about their encounters with many of the leading literary figures of their time, including Graham Greene, W.H. Auden, Muriel Spark, and Saul Bellow. Throughout, Olubas offers a discerning, cleareyed perspective of Hazzard’s complex character and a persuasive appraisal of what distinguishes her work.
An absorbing, well-crafted profile of a supremely gifted writer.Pub Date: Nov. 15, 2022
ISBN: 978-0-374-11337-7
Page Count: 576
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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