A brief but poignant memoir.
A nonfiction writer and teacher’s debut memoir about a loving but fraught relationship with her brother and the addiction to drugs they both shared.
Ackerman’s early childhood in New York was mostly happy, marred only by the occasional envy she felt for her older brother Skyler’s elaborate Lego constructions. “Life is so comfortable,” she writes about that time, “so nice, so perfectly placed out in front of us.” But beneath the facade of comfortable routine, cracks began to appear that Ackerman could not understand. One morning, her mother suddenly threatened to drive the car into the Hudson River. Sometimes her parents fought or behaved in ways that seemed cruel, and occasionally, her mother pushed her unwilling brother to do things like skate across the ice too fast in skates too big for his feet because she wanted her son to “earn accomplishments” and “be the best.” Worse still, her brother seemed to be growing up faster than she was, leaving her to feel that she was trapped in perpetual childhood. The author’s consolation was that Skyler would be there to save her, just as the perpetual motion machine he had created for a science class would save humanity when the world “stop[ped] spinning.” After the family moved to Florida, her and her brother’s lives took a turn for the worse. Skyler, “the ‘A’ student...[and] next big deal,” began to experiment with alcohol and then drugs. Following suit, Ackerman began dealing marijuana when she entered her teens and then later became a junkie who got high on everything from MDMA to oxycodone. But where her brother sank into a suicidal depression that took over his life, the author gradually found her way back to a fragile sobriety. Told in simple, spare language, Ackerman’s story is powerful not only for the story it tells, but also for the eloquent silences and chronological ruptures that symbolize the painfully fractured nature of her life and that of her brother.
A brief but poignant memoir.Pub Date: Nov. 20, 2018
ISBN: 978-1-59709-691-1
Page Count: 152
Publisher: Red Hen Press
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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