by Brittany Luby ; illustrated by Mangeshig Pawis-Steckley ; translated by Alvin Ted Corbiere & Alan Corbiere ‧ RELEASE DATE: March 2, 2021
In this lyrical, bilingual story, a grandmother’s knowledge reveals wonders.
An Anishinaabe grandmother teaches her grandchild that by close observation, the natural world of plants, insects, animals, and birds will reveal how to know when seasons change from one to the next.
Written in English and translated into Anishinaabemowin by the Corbieres, an Anishinaabe father and son pair, the story begins with the question, “Aaniish ezhi-gkedmaanh niibing? / How do I know summer is here?” This question is repeated for fall, winter, and spring, the Anishinaabemowin always preceding the English on the page. The grandchild learns how to recognize nature’s signs of the changing seasons by watching and paying attention. With easily understood explanations, the elder shows how nature accommodates plants and animals, birds and insects. “When yellow Bumblebee collects purple fireweed…blueberries drop readily, [and] the sun slips into an orange dream,” summer is here. The arrival of fall is signaled “when Mallard feasts on yellow corn, and Black Bear licks the ant pile clean”; winter is on its way when “gray Mouse sneaks inside for warmth”; and spring is heralded by “brown Peeper sing[ing], ‘Goodnight, little one.’ ” Luby draws on her Anishinaabe heritage and time as a child with elders as inspiration for this gentle intergenerational tale set in the present day. Ojibwe Woodland artist Pawis-Steckley renders the scenes with bold outlines and jewel colors, many figures gently styled with traditional designs. (This book was reviewed digitally with 8.5-by-19.5-inch double-page spreads viewed at 50.7% of actual size.)
In this lyrical, bilingual story, a grandmother’s knowledge reveals wonders. (Picture book. 3-8)Pub Date: March 2, 2021
ISBN: 978-1-77306-326-3
Page Count: 44
Publisher: Groundwood
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
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by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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by Susan Verde ; illustrated by Juliana Perdomo
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by Susan Verde ; illustrated by Peter H. Reynolds
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by Susan Verde ; illustrated by Juliana Perdomo
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
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