Gripping, sharply written tales that are rich in metaphor and atmosphere.
In Micka-Foos’ debut short-story collection, women struggle with oppressive fears and issues of identity.
In the opening story “The Experiment,” Leah convinces her husband, Derek, to take part in an experiment that a self-help book has inspired—she’ll play the role of a 1950s housewife and leave “big decisions” up to Derek. She finds the idea comforting; a murdered local girl nearly the same age as her young daughter is just one of myriad things stoking her general uneasiness. These eight stories largely feature female protagonists, most of whom are mothers and are (or were) married to men. Fears weigh them down, from the perpetual worries of childrearing to the unrelenting echoes of a traumatic past. The discontents of being defined by others’ perceptions is a theme that runs through the collection. In the title story, Melanie and her husband, John, attend conventions where people dress in costumes (like comic-book characters); she doesn’t want to be the subdued wife that her sister seemingly expects her to be, but even in costume, Melanie’s itchy “bubblegum wig” suggests a restrictive role. (“Maybe the weight of all the things I never say is catching up with me.”) Micka-Foos pulls no punches, shrouding these narratives in gloom. The men are cumbersome: Husbands dismiss or condescend their wives, while other males hit on women or do considerably worse. A few stories, while rooted in realism, prove thoroughly unnerving. A standout is “A Safe Haven for Writers,” in which a woman plans to work on her book at the Salt House in Oregon. As she gets caught up in the sordid history of the retreat, the caretaker understandably puts her on edge, as she’s all but certain he’s listening to her private telephonic conversations with her spouse.
Gripping, sharply written tales that are rich in metaphor and atmosphere.Pub Date: June 17, 2025
ISBN: 9781627205849
Page Count: 124
Publisher: Apprentice House
Review Posted Online: March 19, 2025
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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