A meditation on what it means to step into your authentic self—with all the subsequent confusion and pain laid bare.
New college student Natalie falls in love with Nora, a woman nearly twice her age, in Fischer’s debut novel.
With college looming, Natalie stews about moving to Toronto, and Fischer captures teenage uncertainty brilliantly: “I wondered if I should buy a more specific jacket. One that could quickly show the core elements of my character.” As well as a new city, Natalie is navigating her hitherto unexplored sexuality. When she meets Nora, a grant writer in her 30s who quickly captivates her, she’s prompted to reappraise her self-image: “Who was I, if she was curious about me? Not the person I’d expected myself to be.” Their physical relationship is revelatory for Natalie: “Didn’t I like being dipped into, the breaking surface of myself that still rippled from the afterthought of her touch?” Alongside Natalie’s romantic relationship run a platonic one she has with her dorm-mate Clara and one she witnesses unfold between her poetry professor and an obsessive classmate. She struggles to reconcile her seemingly disparate selves—embarrassed when she finds out that Nora has seen her playing a game of Assassin with her college friends, not knowing how to tell Clara she’s a lesbian, mortified by the dichotomy between her thoughts and the poetry she produces (“Such a slim margin between saying something meaningful and exposing the fallibility of your mind”)—Natalie becomes increasingly fraught with self-doubt. What runs consistently through the novel is the unease of the age and power disparities between Natalie and Nora. While the denouement is in no way shocking, it's satisfyingly dramatic, and Fischer encourages the reader to remember their own first heartbreak. As Natalie looks back on the relationship, she sees her own innocence clearly: “I had been much younger then, hadn’t I?” This insightful novel is alive with vibrant prose, emotional acuity, and complex female characters.
A meditation on what it means to step into your authentic self—with all the subsequent confusion and pain laid bare.Pub Date: May 23, 2023
ISBN: 9781643752723
Page Count: 312
Publisher: Algonquin
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.
Three woman who join together to rent a large space along the beach in Los Angeles for their stores—a gift shop, a bakery, and a bookstore—become fast friends as they each experience the highs, and lows, of love.
Bree is a friendly but standoffish bookstore owner who keeps everyone she knows at arm’s length, from guys she meets in bars to her friends. Mikki is a settled-in-her-routines divorced mother of two, happily a mom, gift-shop owner, and co-parent with her ex-husband, Perry. And Ashley is a young, very-much-in-love bakery owner specializing in muffins who devotes herself to giving back to the community through a nonprofit that helps community members develop skills and find jobs. When the women meet drooling over a boardwalk storefront that none of them can afford on her own, a plan is hatched to divide the space in three, and a friendship—and business partnership—is born. An impromptu celebration on the beach at sunset with champagne becomes a weekly touchpoint to their lives as they learn more about each other and themselves. Their friendship blossoms as they help each other, offering support, hard truths, and loving backup. Author Mallery has created a delightful story of friendship between three women that also offers a variety of love stories as they fall in love, make mistakes, and figure out how to be the best—albeit still flawed—versions of themselves. The men are similarly flawed and human. While the story comes down clearly on the side of all-encompassing love, Mallery has struck a careful balance: There is just enough sex to be spicy, just enough swearing to be naughty, and just enough heartbreak to avoid being cloying.
A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.Pub Date: May 31, 2022
ISBN: 978-0-778-38608-7
Page Count: 352
Publisher: Harlequin MIRA
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
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