A trifecta of memorable players, convincing storytelling, and well-honed prose.

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In Law’s debut novel, the mother of a Rhode Island family is stricken with Alzheimer’s.

When Katherine Keene is diagnosed with Alzheimer’s, her children and her husband, Bill Norman, are going to have to learn how to deal with it. More importantly, they will have to learn how to deal with each other: Will the family survive together or crash and burn? The main characters are Katherine’s children Laura, the youngest and a relationship therapist, and James, the black sheep alcoholic. These two divvy up the narrating. (The others are Izzy, the big sister, and Robert, the responsible—and judgmental—brother.) Laura is, ironically, divorced; James, a construction worker, is also divorced, with an ex-wife and a son, Jeremiah. And then there is Jonah, Laura’s love interest and strong support. Katherine goes downhill rapidly, but the shock comes when another family member falls ill, which leads Laura to a shattering revelation. At the gathering after the funeral, James gets very drunk, in effect steals Robert’s car, and, crashing it, almost kills his son. The rest of the book details, beautifully, Laura’s confusion and hurt and James’ clawing his way back to sobriety—all while Katherine sinks deeper into incoherence but with moments of startling lucidity. Izzy and Robert do come around, but they have not grown as Laura and James have. Character is everything here. Law is no novice writer, and this is truly an impressive debut. The prose is more often straightforward than lyrical, as befits a hard telling. Laura describes some of her troubled clients as wearing “their problems on their bodies. Bruises, track marks. Scars.” (This just before one of those clients suffers a dramatic fate.) James’ struggle—including a prison stint and a long stretch in rehab—is both heroic and harrowing, an exercise in bated breath, a master class in suspenseful pacing. The destination is satisfying, but the journey will keep readers enthralled.

A trifecta of memorable players, convincing storytelling, and well-honed prose.

Pub Date: Oct. 5, 2020

ISBN: 978-1-949116-18-2

Page Count: 322

Publisher: Woodhall Press

Review Posted Online: Sept. 24, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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A whimsical fantasy about learning what’s important in life.


An unhappy woman who tries to commit suicide finds herself in a mysterious library that allows her to explore new lives.

How far would you go to address every regret you ever had? That’s the question at the heart of Haig’s latest novel, which imagines the plane between life and death as a vast library filled with books detailing every existence a person could have. Thrust into this mysterious way station is Nora Seed, a depressed and desperate woman estranged from her family and friends. Nora has just lost her job, and her cat is dead. Believing she has no reason to go on, she writes a farewell note and takes an overdose of antidepressants. But instead of waking up in heaven, hell, or eternal nothingness, she finds herself in a library filled with books that offer her a chance to experience an infinite number of new lives. Guided by Mrs. Elm, her former school librarian, she can pull a book from the shelf and enter a new existence—as a country pub owner with her ex-boyfriend, as a researcher on an Arctic island, as a rock star singing in stadiums full of screaming fans. But how will she know which life will make her happy? This book isn't heavy on hows; you won’t need an advanced degree in quantum physics or string theory to follow its simple yet fantastical logic. Predicting the path Nora will ultimately choose isn’t difficult, either. Haig treats the subject of suicide with a light touch, and the book’s playful tone will be welcome to readers who like their fantasies sweet if a little too forgettable.

A whimsical fantasy about learning what’s important in life.

Pub Date: Sept. 29, 2020

ISBN: 978-0-52-555947-4

Page Count: 336

Publisher: Viking

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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A compelling portrait of a marriage gone desperately sour.


In December 1926, mystery writer Agatha Christie really did disappear for 11 days. Was it a hoax? Or did her husband resort to foul play?

When Agatha meets Archie on a dance floor in 1912, the obscure yet handsome pilot quickly sweeps her off her feet with his daring. Archie seems smitten with her. Defying her family’s expectations, Agatha consents to marry Archie rather than her intended, the reliable yet boring Reggie Lucy. Although the war keeps them apart, straining their early marriage, Agatha finds meaningful work as a nurse and dispensary assistant, jobs that teach her a lot about poisons, knowledge that helps shape her early short stories and novels. While Agatha’s career flourishes after the war, Archie suffers setback after setback. Determined to keep her man happy, Agatha finds herself cooking elaborate meals, squelching her natural affections for their daughter (after all, Archie must always feel like the most important person in her life), and downplaying her own troubles, including her grief over her mother's death. Nonetheless, Archie grows increasingly morose. In fact, he is away from home the day Agatha disappears. By the time Detective Chief Constable Kenward arrives, Agatha has already been missing for a day. After discovering—and burning—a mysterious letter from Agatha, Archie is less than eager to help the police. His reluctance and arrogance work against him, and soon the police, the newspapers, the Christies’ staff, and even his daughter’s classmates suspect him of harming his wife. Benedict concocts a worthy mystery of her own, as chapters alternate between Archie’s negotiation of the investigation and Agatha’s recounting of their relationship. She keeps the reader guessing: Which narrator is reliable? Who is the real villain?

A compelling portrait of a marriage gone desperately sour.

Pub Date: Dec. 29, 2020

ISBN: 978-1-4926-8272-1

Page Count: 288

Publisher: Sourcebooks Landmark

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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