A trifecta of memorable players, convincing storytelling, and well-honed prose.
In Law’s debut novel, the mother of a Rhode Island family is stricken with Alzheimer’s.
When Katherine Keene is diagnosed with Alzheimer’s, her children and her husband, Bill Norman, are going to have to learn how to deal with it. More importantly, they will have to learn how to deal with each other: Will the family survive together or crash and burn? The main characters are Katherine’s children Laura, the youngest and a relationship therapist, and James, the black sheep alcoholic. These two divvy up the narrating. (The others are Izzy, the big sister, and Robert, the responsible—and judgmental—brother.) Laura is, ironically, divorced; James, a construction worker, is also divorced, with an ex-wife and a son, Jeremiah. And then there is Jonah, Laura’s love interest and strong support. Katherine goes downhill rapidly, but the shock comes when another family member falls ill, which leads Laura to a shattering revelation. At the gathering after the funeral, James gets very drunk, in effect steals Robert’s car, and, crashing it, almost kills his son. The rest of the book details, beautifully, Laura’s confusion and hurt and James’ clawing his way back to sobriety—all while Katherine sinks deeper into incoherence but with moments of startling lucidity. Izzy and Robert do come around, but they have not grown as Laura and James have. Character is everything here. Law is no novice writer, and this is truly an impressive debut. The prose is more often straightforward than lyrical, as befits a hard telling. Laura describes some of her troubled clients as wearing “their problems on their bodies. Bruises, track marks. Scars.” (This just before one of those clients suffers a dramatic fate.) James’ struggle—including a prison stint and a long stretch in rehab—is both heroic and harrowing, an exercise in bated breath, a master class in suspenseful pacing. The destination is satisfying, but the journey will keep readers enthralled.
A trifecta of memorable players, convincing storytelling, and well-honed prose.Pub Date: Oct. 5, 2020
ISBN: 978-1-949116-18-2
Page Count: 322
Publisher: Woodhall Press
Review Posted Online: Sept. 24, 2020
Kirkus Reviews Issue: Nov. 15, 2020
Review Program: Kirkus Indie
A moving, hilarious reminder that parenthood, just like life, means constant change.
During an annual beach vacation, a mother confronts her past and learns to move forward.
Her family’s annual trip to Cape Cod is always the highlight of Rocky’s year—even more so now that her children are grown and she cherishes what little time she gets with them. Rocky is deep in the throes of menopause, picking fights with her loving husband and occasionally throwing off her clothes during a hot flash, much to the chagrin of her family. She’s also dealing with her parents, who are crammed into the same small summer house (with one toilet that only occasionally spews sewage everywhere) and who are aging at an alarmingly rapid rate. Rocky’s life is full of change, from her body to her identity—she frequently flashes back to the vacations of years past, when her children were tiny. Although she’s grateful for the family she has, she mourns what she’s lost. Newman (author of the equally wonderful We All Want Impossible Things, 2022) imbues Rocky’s internal struggles with importance and gravity, all while showcasing her very funny observations about life and parenting. She examines motherhood with a raw honesty that few others manage—she remembers the hard parts, the depths of despair, panic, and anxiety that can happen with young children, and she also recounts the joy in a way that never feels saccharine. She has a gift for exploring the real, messy contradictions in human emotions. As Rocky puts it, “This may be the only reason we were put on this earth. To say to each other, I know how you feel.”
A moving, hilarious reminder that parenthood, just like life, means constant change.Pub Date: June 18, 2024
ISBN: 9780063345164
Page Count: 240
Publisher: Harper/HarperCollins
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
An uncompromising message, delivered via a gripping story with two engaging heroines.
An undergraduate at Brown University unearths the buried history of a Latine artist.
As in her bestselling debut, Olga Dies Dreaming (2022), Gonzalez shrewdly anatomizes racial and class hierarchies. Her bifurcated novel begins at a posh art-world party in 1985 as the title character, a Cuban American land and body artist, garners recognition that threatens the ego of her older, more famous husband, white minimalist sculptor Jack Martin. The story then shifts to Raquel Toro, whose working-class, Puerto Rican background makes her feel out of place among the “Art History Girls” who easily chat with professors and vacation in Europe. Nonetheless, in the spring of 1998, Raquel wins a prestigious summer fellowship at the Rhode Island School of Design, and her faculty adviser is enthusiastic about her thesis on Jack Martin, even if she’s not. Soon she’s enjoying the attentions of Nick Fitzsimmons, a well-connected, upper-crust senior. As Raquel’s story progresses, Anita’s first-person narrative acquires a supernatural twist following the night she falls from the window of their apartment —“jumped? or, could it be, pushed?”—but it’s grimly realistic in its exploration of her toxic relationship with Jack. (A dedication, “In memory of Ana,” flags the notorious case of sculptor Carl Andre, tried and acquitted for the murder of his wife, artist Ana Mendieta.) Raquel’s affair with Nick mirrors that unequal dynamic when she adapts her schedule and appearance to his whims, neglecting her friends and her family in Brooklyn. Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions (Raquel’s adviser refers to her as “Mexican”) to brutally racist behavior by the Art History Girls. While a vividly rendered supporting cast urges Raquel to be true to herself and her roots, her research on Martin leads to Anita’s art and the realization that she belongs to a tradition that’s been erased from mainstream art history.
An uncompromising message, delivered via a gripping story with two engaging heroines.Pub Date: March 5, 2024
ISBN: 9781250786210
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
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