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NOW I SAY GOODBYE TO YOU

This tale of two survivors should move you, cajole you, upset you, and seduce you.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2019

A homeless man comes tantalizingly close to his old life and happiness only to question that joy.

In this novel, Wright (The Sky Is Far Away, 2018, etc.) gives readers a homeless, nameless man trying to survive after the mother of all housing bubbles has burst. He is somewhere in Florida, breaking into foreclosed houses in search of food. He has bottomed out: He’s lost his job and his family and even spent a year in prison. He has also lost all hope and wants only to be left alone. Then he comes upon a little girl—as hungry and thirsty as he is—in an abandoned house. Try as he might, he cannot bring himself to desert her. He finds an abandoned cabin and a job with a guy who is scrapping a nearby defunct amusement park, Fun-O-Rama (a wonderful metaphor). The girl, whose name readers finally learn is Jessie, is severely traumatized and mute. Ever so slowly, she begins to trust the man (her first words to him: “Are you Jesus?”). When she falls sick, he gets her to a hospital. She recovers, but now the police are very interested in his relationship with this kid and in his past. Many more things happen, but it is his need for Jessie that drives it all. The ending is artistically risky but truer than the conclusion readers will probably crave. Wright is a flat-out wonderful writer. The prose is crisp (“Unhappy should be a weather forecast like rain or snow”), the details spot-on, and the slow development meticulous. The nameless man—the first-person narrator—is an unforgettable character, always talking about the stories in life, like the “I Work Out and Exercise” and “Never Feed a Stray Animal” tales. He is in love with his bitterness but, try as he might, can’t excise his basic decency. This painful novel delivers heartbreak—but no sentimentality—and consummate thaumaturgy or, in the narrator’s words, “I’m both the magician and the trick.”

This tale of two survivors should move you, cajole you, upset you, and seduce you.

Pub Date: Oct. 16, 2018

ISBN: 978-1-389-06047-2

Page Count: 354

Publisher: Blurb

Review Posted Online: Nov. 23, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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