A big-thinking but overstuffed postmodern epic.
Secret family histories drive this hefty novel encompassing rock music, the art world, leftist politics, the long reach of the Holocaust, and more.
The second novel by Bauman (And the Word Was, 2006) turns on three figures with complex pasts. Moses Teumer, a history professor, is seeking a bone-marrow donor to treat his leukemia when he discovers he’s the half brother of Alchemy Savant, a Bono-esque rock star with messianic political ambitions; their shared mother is Salome Savant, a celebrated counterculture artist with a history of mental breakdowns. The Pynchon-esque character names provide a hint about the sensibility of the novel, which is rife with clandestine relationships and glimpses into the loopy but earnest LA demimonde of sex, music, and limousine liberals. Under those glitzy surfaces of money and art, Bauman argues, blood connections are more truly influential: Moses must reckon with his discovery that his father is an unrepentant Nazi soldier, while Salome shares the same urge for attention and seclusion that defined her mother, Greta Garbo. At more than 600 pages, the novel is too baggy to sustain its lead characters without contrivance; the closing sections, which move into the near future to describe Alchemy’s climb to the political stage, are a speedy but wearying recycling of riffs on media culture, family drama, and American surveillance politics that were already established early on. And the story’s tragic climax is less powerful for being revealed early. Bauman does have the virtue of writing well in multiple registers. Salome’s perspective is free-wheeling and dreamlike, Moses’ sagely, and Alchemy is seen largely via tough-talking band mate Ambitious Mindswallow, who rises from a Queens street kid to member of the world’s biggest band. He’s a key allegorical figure in Bauman’s lament for a lost American dream where once upon a time anything was possible.
A big-thinking but overstuffed postmodern epic.Pub Date: Oct. 27, 2015
ISBN: 978-1-59051-448-1
Page Count: 474
Publisher: Other Press
Review Posted Online: July 28, 2015
Kirkus Reviews Issue: Aug. 15, 2015
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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