I LEFT MY SNEAKERS IN DIMENSION X

Rod Allbright returns for his second space romp (after Aliens Ate My Homework, 1993) with the crew of the spaceship Ferkel. He and his annoying cousin, Elspeth, are captured by a painfully ugly space-giant, Smorkus Flinders, who kidnaps them into another dimension and uses them as bait to trap Grakker, the captain of the Ferkel and a Galactic Patrol good guy. Grakker and his crew come to Rod's rescue, but they total the Ferkel in their escape and are forced to remain in Dimension X and seek the help of the local fauna and flora. (Don't laugh; some of the flora is pretty intelligent.) It's a good thing they do because, while they're there, they must save their own universe from destruction by Smorkus and his evil cronies. Rod apprentices himself to the warrior Tar Gibbons and, between his training and the inedible food he gets at Smorkus's place, this space jaunt starts looking like a spa vacation for our pudgy hero. Tar prepares to fight Smorkus, but at the last moment his apprentice must step in for him—they enlarge Rod for the fight—and in a scene worthy of ``American Gladiators'' Rod triumphs over his enemy. He also learns that his father, who ran out on Rod's mother three years ago, is not altogether a human being—which makes Rod himself half-alien. In the epilogue, Rod sets up for his next adventure: the rescue of his father. Hilarious antics with endearing aliens. Coville (Oddly Enough, below) is at the top of his weird, wonderful form. (Fiction. 8-11)

Pub Date: Oct. 1, 1994

ISBN: 0-671-89072-7

Page Count: 182

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 1994

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However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

TUCK EVERLASTING

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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This kid-friendly satire ably sets claws into a certain real-life franchise.

BAD KITTY GOES ON VACATION

From the Bad Kitty (chapter book) series

A trip to the Love Love Angel Kitty World theme park (“The Most Super Incredibly Happy Place on Earth!”) turns out to be an exercise in lowered expectations…to say the least.

When Uncle Murray wins a pair of free passes it seems at first like a dream come true—at least for Kitty, whose collection of Love Love Kitty merch ranges from branded underwear to a pink chainsaw. But the whole trip turns into a series of crises beginning with the (as it turns out) insuperable challenge of getting a cat onto an airplane, followed by the twin discoveries that the hotel room doesn’t come with a litter box and that the park doesn’t allow cats. Even kindhearted Uncle Murray finds his patience, not to say sanity, tested by extreme sticker shock in the park’s gift shop and repeated exposures to Kitty World’s literally nauseating theme song (notation included). He is not happy. Fortunately, the whole cloying enterprise being a fiendish plot to make people so sick of cats that they’ll pick poultry as favorite pets instead, the revelation of Kitty’s feline identity puts the all-chicken staff to flight and leaves the financial coffers plucked. Uncle Murray’s White, dumpy, middle-aged figure is virtually the only human one among an otherwise all-animal cast in Bruel’s big, rapidly sequenced, and properly comical cartoon panels.

This kid-friendly satire ably sets claws into a certain real-life franchise. (Graphic satire. 8-11)

Pub Date: Dec. 29, 2020

ISBN: 978-1-250-20808-8

Page Count: 160

Publisher: Roaring Brook

Review Posted Online: Sept. 29, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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