No amount of gimmicky packaging can compensate for the essential pointlessness of this first novel—a glib and predictable adolescent male fantasy that rips off Hunter Thompson, ``Wayne's World,'' and Douglas Coupland. With its cynical appeal to the vidiot generation, Craven's breathless fiction, full of thrash-punk-metal pretensions, is, at its core, a silly love story. Rick Jeffers, ``our hero,'' fancies himself an L.A. ``outlaw'' who lives for ``his tequila, his laziness, his attitude.'' On acid, this jobless lout considers himself ``Lucifer incarnated in the body of a Burbank thrasher.'' But his real problem seems to be fear of commitment—and of poor Tamara, the waitress/actress who so adores this ``bad boy'' but can't get him to do anything other than ``fight and make love, fight and make love.'' Rick, meanwhile, lusts for porno queen Ginger Quail, ``a little scruffy unit of wayhone nectarama.'' Tamara soon finds herself in bed with Rick's best friend, Jack Weiss, a real romantic who lives for ``his weights, his comics, his marijuana, his fighting,'' and for lots of TV-watching. After Rick's apartment gets broken into, he decides on a ``major road trip,'' during which he must ``stay cool and drink beer.'' All the while, he adheres to the motto: ``Make it strange. Make it vicious. Make it weird.'' In pursuit of Ms. Quail on location, Rick picks up a strange driving companion, gets beaten up for scoring a 16-year- old, shoplifts his supplies, blows up a truck, and eventually sees Ginger for the slut she is. An unearned bit of nihilism ends this phony romp, which is padded with lots of lame pop-cult commentary. Readers are wisely advised to ``play this novel loud.'' The enclosed ``thrash-punk'' soundtrack just might drown out the submoronic buzz.

Pub Date: Feb. 17, 1993

ISBN: 0-688-11867-4

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 1992

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More about grief and tragedy than romance.


Five friends meet on their first day of kindergarten at the exclusive Atwood School and remain lifelong friends through tragedy and triumph.

When Gabby, Billy, Izzie, Andy and Sean meet in the toy kitchen of the kindergarten classroom on their first day of school, no one can know how strong the group’s friendship will remain. Despite their different personalities and interests, the five grow up together and become even closer as they come into their own talents and life paths. But tragedy will strike and strike again. Family troubles, abusive parents, drugs, alcohol, stress, grief and even random bad luck will put pressure on each of them individually and as a group. Known for her emotional romances, Steel makes a bit of a departure with this effort that follows a group of friends through young adulthood. But even as one tragedy after another befalls the friends, the impact of the events is blunted by a distant narrative style that lacks emotional intensity. 

More about grief and tragedy than romance.

Pub Date: July 24, 2012

ISBN: 978-0-385-34321-3

Page Count: 322

Publisher: Delacorte

Review Posted Online: Nov. 14, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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