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SEEING GLORY

A NOVEL OF FAMILY STRIFE, FAITH, & THE AMERICAN CIVIL WAR

A thoughtful and often compelling narrative that approaches the Civil War from a refreshing and provocative angle.

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Gardner’s historical novel of the Civil War follows the lives and times of a plantation owner’s bitterly divided family.  

The novel opens in 1856, describing the fallout of what would become known as the Pottawatomie massacre, in which the abolitionist John Brown and his followers killed five pro-slavery settlers. The impact of the event sent shock waves through American society, which is on the brink of war. The story then focuses specifically on the Hodge family, who live on a 700-acre tobacco plantation in Virginia and enslave more than 80 people. As unrest spreads, the family patriarch, Lawrence, grows increasingly anxious about the potential threat to his livelihood. After war comes, his daughter Emma works as a nurse but loses her job after protesting the abuse of a Black child at the hands of a Confederate States Army major. Lawrence’s son David meets Abel Bowman, a former follower of Brown, as they both witness Brown’s execution in 1859; when the country plunges into war, David goes north, becoming a first-rate war journalist who receives praise from President Abraham Lincoln himself. Both Emma and David become deeply committed to the abolition of slavery. Lawrence’s other daughter, Catherine, unlike her siblings, is a resolute Confederate who refuses to believe Emma’s accusations regarding the abuse of enslaved people on the family plantation and whose belief in the Confederacy seems unshakeable. The novel closes at the beginning of the Reconstruction era in 1865.

Gardner meticulously examines his main characters’ shifting attitudes, particularly through the lens of faith. The novel includes a wealth of thought-provoking dialogue that explores the contentious religious rhetoric that was used to legitimize slavery’s perpetuation: At one point, for example, he shows how Catherine seeks to justify her vile, ingrained beliefs by asking a pastor if enslaving others serves “a doubly useful purpose for society—because it supports not only our southern economy but also the continuing civilization and Christian enlightenment of the slaves themselves?” Portrayals of other characters, such as David, capture a longing for change: “There’s just something inside me that fights against so many of the things I’ve been taught.” Gardner is a keenly observant writer, gently bringing the Virginia landscape to life, such as “the sun-speckled, mirrored surface of the middle portion of the river, broken in only a few spots by small, swirling eddies.” However, the author also ably offers suspenseful and shocking scenes that capture the horrors of slavery. As in his previous novel, Hope of Ages Past (2018), the author seamlessly intertwines fiction with fact, as when David attends a lecture given by the abolitionist Frederick Douglass. The author’s great attention to detail roots his story firmly in its era and clearly reflects a wealth of careful research. Novels set during this time and place are commonplace, to be sure, but this one stands out due to its contemplative excavation of its characters’ religious beliefs before, during, and after the conflict.

A thoughtful and often compelling narrative that approaches the Civil War from a refreshing and provocative angle.

Pub Date: N/A

ISBN: 978-0-9998811-5-6

Page Count: 490

Publisher: Zino Publishing

Review Posted Online: Aug. 15, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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BY ANY OTHER NAME

A vibrant tale of a remarkable woman.

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  • New York Times Bestseller

Who was Shakespeare?

Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.

A vibrant tale of a remarkable woman.

Pub Date: Aug. 20, 2024

ISBN: 9780593497210

Page Count: 544

Publisher: Ballantine

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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