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ZERO ZEBRAS

A COUNTING BOOK ABOUT WHAT’S NOT THERE

Another heady foray into math’s conceptual reaches, with zero chance of failing to entertain.

A counting book cleverly designed to raise awareness about nothing.

“Zero is a big nothing,” Goldstone rightly writes, “but it’s also a big deal.” Younger audiences will definitely get a sense of what he means from this effervescent animal count, which begins with “I see one wallaby…” and goes on from “Two tuna splish / and splash / and splosh…” to “Twelve turtles / wallow in mud”—each verse ending with a refrain that is some variant on “and zero zebras.” Zero zebras are indeed what viewers will find in the cheery illustrations, too, as Chung employs bright colors and precisely drawn geometric shapes in neat but lively compositions that feature arrays of (other) creatures, inconspicuously placed numerals, and, for sharper eyes to spot, glimpses of the odd foxtail, beach ball, or other visual reference to scenes just past. Then, after closing with a veritable litany (“When the stars come out tonight, / zero zebras do, too. / Along with zero pandas / eating zero bamboo”), the author eases in the mind-blowing notion that zero isn’t really a number at all but more of an idea, not unlike a different but adjacent concept: infinity. For an author who has already introduced picture-book readers to probability, pattern recognition, and estimation theory, it hardly seems a stretch. (This book was reviewed digitally.)

Another heady foray into math’s conceptual reaches, with zero chance of failing to entertain. (Math picture book. 6-9)

Pub Date: Aug. 2, 2022

ISBN: 978-1-338-74224-4

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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